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SPLODGE! NOTES: 1st. Mon. JULY (03/07/06) <<< THEMELESS [2]!!!    Message List  
Reply | Forward Message #109 of 150 |
THEMELESS [2]!!! •BEACH BLANKET BINGO (1965), •THE MANY LOVES OF DOBIE GILLIS: THE LONG ARM OF THE LAW (1960), •CAVE MAN (1934), •BEACH BLANKET BINGO (1965)
       TONIGHT: STRICTLY MEMBERS-ONLY
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             SPLODGE! NOTES: 1st. Mon. in JULY (03/07/06)

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                ON THE FIRST MONDAY OF EVERY MONTH
 
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                           3rd. Quartile
 
                              JULY
                            AD 2006
 
                          Monday 03rd
 
             Registration:    7.30    -      8.00 pm

             Screening: >>>>> 8.00  (*EIGHT*!!!!)  pm <<<<<
 
                   TONIGHT: STRICTLY MEMBERS-ONLY
          MEMBERSHIPS STILL AVAILABLE AT THE DOOR ON THE NIGHT

                          DETAILS  BELOW
 
                               TONIGHT! -
 
        THEMELESS   [2]
 
 
CAVE MAN (1934)
 
 
 
 
 
[ABOVE]: Animator Berny Wolf holds up the original model sheet he did with Grim Natwick for the 1934 Willie Whopper cartoon The Cave Man. (The model sheet can be seen in Shamus Culhane's autobiography TALKING ANIMALS AND OTHER PEOPLE).
 
While paying a visit to the Natural History Museum, braggart Willie Whopper tells a tall tale situating himself in the Stone Age, swinging on vines like Tarzan and vanquishing a dinosaur to save Mary, his girl. Possibly one of the greatest features of  the animated cartoons of the 1930s is the use of novelty jazz accompaniment on the soundtracks, and Ub Iwerks’ cartoons were particularly notable for this. CAVE MAN’s musical soundtrack is composed of Victor recordings featuring Bennie Moten and His Orchestra, with solos by BILL (soon to be COUNT) BASIE, "Lips" Page, Ben Webster, and others. The illusion of depth in animation was first achieved by the Fleischer brothers using table-top animation in Poor Cinderella, with Betty Boop, in 1934. But in the same year, Ub Iwerks used his own multiplane system in The Cave Man, with Willie Whopper. The more elaborate Disney multiplane system was a comparative late-comer, first employed in The Old Mill, 1937. Prod Co: Celebrity Productions, Inc. Prod: Ub Iwerks, Pat Powers. Dir: Ub Iwerks. Anim: Bert Gillett (as Grim Natwick), Berny Wolf. Orig Mus: Carl W. Stalling. Distr: Metro-Goldwyn-Mayer. 6 mins. RM
 
 
 
•THE MANY LOVES OF DOBIE GILLIS:
THE LONG ARM OF THE LAW (1960),
 
 
 
 
 
Dobie gets into trouble with "The Long Arm of the Law" when his new girlfriend's fat cop father takes a disliking to him. Dir: Guy Scarpitta. Wr: Lee Karson, Joel Kane. Cast: DWAYNE HICKMAN as Dobie Gillis, BOB DENVER as Maynard G. Krebs, FRANK FAYLEN as Herbert T. Gillis, Florida Friebus as Winifred 'Winnie' Gillis. Guest Stars: Richard Reeves (above left), Jane Wald. 25 mins. RM

and featuring:
 
•BEACH BLANKET BINGO
(1965)
 
 
 
 
  
 
 
BEACH BLANKET BINGO
Gorr-bless American International Pictures! Between surfing, partying and some great ‘60s pop from THE HONDELLS, FRANKIE AVALON and the gang find time to enter a SKY-DIVING competition, meet a mermaid and rescue a girl singer from the clutches of camp villian Eric Von Zipper’s comic bikies, The Rats!
Various sub-plots include beautiful girl singer Sugar Kane (Linda Evans!!!), being kidnapped by Eric von Zipper (HARVEY LEMBECK), and the gang trying to save her; a mermaid Lorelei (MARTA KRISTEN), falling for Bonehead (Jody McCrea), and Annette proving to Frankie that girls can skydive as well as boys. It's fast, funny, very colorful, very campy, and also has PAUL LYNDE (hilarious), and comic-genius DON RICKLES (trust me!). Beyond the parachutery, the film actually extends some of the supporting characters beyond the limited schtick they had previously been given. von Zipper is given tonnes more screen time - and even gets his own musical number for the first time!
This is NOT ONLY the ultimate beach flick but also the essential ‘60s teen-scene movie. Even though the plot is hilarious in its zanyness, the cast is wonderfully silly. And WHAT a cast it is: Frankie and Annette establish that this is a genuine teen-beach romp, HARVEY LEMBECK (Eric Von Zipper) is a riot as the
Johnny-Strabler-wannabe who worships "Marlo Branden", while DON RICKLES and PAUL LYNDE provide two different forms of acid insult humour. Poor BUSTER KEATON, however, to be honest, is a tragedy. The greatest silent film star from the US is reduced to playing a dirty old man. Musical numbers, faked surfing and parachuting shots, sand, salty air - it's a treasure chest from a seemingly "innocent" bygone era.
Watch out for exotic beauty LINDA EVANS in one of her earliest movie appearances in all of her "break-through"-dom, as Sugar Kane, the starlet being represented by PAUL LYNDE. I think this movie was even pre-BIG VALLEY, let alone DYNASTY. LINDA even sings, so DYNASTY fans should definitely give it a peek, if for no other reason than for morbid curiosity.
"Beach Blanket Bingo" also features talented singer Donna Loren in a bit part as herself.
Actually, the musical fare is top-notch. Talented singer, in a bit part as herself, Donna Loren’s IT ONLY HURTS WHEN I CRY is damn’ beautiful, and Annette Funicello's I'LL NEVER CHANGE HIM is – frankly – SUPER! The great LES BAXTER actually had a hand in the songs and their arrangements, in addition to his usual scoring duties.
BEACH BLANKET BINGO is full of quirky touches ( - like Annette's face turning green just before jumping out of a plane for her first sky-dive, or a kidnapped LINDA EVANS about to be buzz-sawn in half, a la THE PERILS OF PAULINE).
The mermaid sub-plot featuring a ravishingly-sweet MARTA KRISTEN (LOST IN SPACE) wowing Jody McCrea (Bonehead) is the best part of the picture, and there's just enough slapstick and visual gags to keep it bubbling.
Besides the blatant jokes which one might expect, there are also subtler gags scattered liberally throughout this film which make this film one which will have you rolling in laughter if you are paying close attention. A lot more complex film than conventional wisdom gives it credit, given the premise.
For instance, early on Eric Von Zipper and The Rats do a number in which - not once, but twice - Von Zipper's lyric runs "I am my ideal!" This develops in the scene that spills into the running gag ( - or is it a ‘leitmotif’? - ) of Von Zipper calling Sugar Kane his 'idol' - referenced in earlier comments - ). Then, in the very next scene, as Von Zipper and the Rats enter the nightclub, he says "Stand aside everyone, I take large steps!" Both of these are direct quotes from A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, which had opened a little over a year earlier on Broadway! Late in Act One of FORUM, Miles Gloriosus (Ron Holgate), a Roman soldier, announces his entrance by shouting, from offstage: "Stand aside everyone, I take large steps!", which cues the music for his song, which includes the lyric "I am my ideal!" Is William Asher paying homage to STEVEN SONDHEIM and Burt Shevelove (who wrote the book for FORUM)? Is it an inside joke? Or is it just plain old-fashioned plagiarism?
Another interesting question: Is this where William Asher first saw/met PAUL LYNDE? Were the seeds for Uncle Arthur (who would appear a couple of years later on BEWITCHED) planted in the sand of BEACH BLANKET BINGO??
This was the fourth official entry in AIP’s "Beach Party" series (having both Frankie Avalon and Annette Funicello in the cast), and shows the series at full steam, knowing exactly what works and how to play all the pieces. The score is perfect early-‘60s pop (with everyone singing in full reverb), and the various comedians are allowed to play off their strengths.
By this point, the series was beginning to look for new areas to explore (having already dealt with surfing, water skiing, body building, et c. in earlier entries), so that's why this "beach" film seems to be so focused on sky diving. In fact, the shift away from the beach scene to the hippie scene in the late ‘60s would spell the end of the series only a year or so later. It marked the beginning of the end. When BBB was released, little did anyone know that this would be the penultimate appearances for both Frankie Avalon and Annette Funicello, and that within a year the whole "Beach Party" genre would be finished. So this film can be seen as the last gasp before the ‘waves died down’.
Memorable Quotes from BEACH BLANKET BINGO (1965):
  • Eric Von Zipper: I come here to tell you that these beach bums is bums.
  • South Dakota Slim: Leave it to ol' Slim. I got ideas... and they're all vile, baby.
  • Eric Von Zipper: Stand aside, everyone. I take large steps.
  • Eric Von Zipper: Why me? Why me all the time?
  • Eric Von Zipper: I am my ideal. But YOU are my idol.
  • Eric Von Zipper: Eric Von Zipper adores you. And when Eric Von Zipper adores somebody, they stay adored.
  • Eric Von Zipper: Please, do not destroy my mood. Tonight, I even like you.
  • Bullets: [sarcasticly] Oh, perfect. I'll save the next dance for you.
  • Eric Von Zipper: I lead.
  • Bullets: I didn't catch your name boy. Frankie: I didn't throw it. Bullets: That's pretty tacky.
  • Frankie: I didn't want us to have a language barrier.
  • Bonehead: Lorelei, do you know about the Birds and the Bees? Lorelei: No. Bonehead: Well, I better get out of here or you're going to find out.
  • Frankie: You know something? A kiss is worth more than a thousand words. Dee Dee: Then why don't you stop talking?
  • Bullets: Come along now and let's, uh, get out of these loose clothes and slip into something tight.
  • Frankie: [as the Rat Pack carry Von Zipper away] So long, Mouseketeers! [Annette Funicello as Dee Dee is standing next to him]
  • Puss: [as Sugar Kane is tied to the sawmill log] This isn't very nice. Boots: Yeah, I think it's kinda mean!
Prod Co: Alta Vista Productions, American International Pictures (AIP). Prod: Samuel Z. Arkoff, Anthony Carras, James H. Nicholson. Dir: William Asher. Wr: William Asher, Leo Townsend. Orig Mus: LES BAXTER. Roger Christian (songs), Jerry Styner (songs), Gary Usher (songs), THE HONDELLS (band). Phot: Floyd Crosby. Other crew: Presenters: SAMUEL Z. ARKOFF, JAMES H. NICHOLSON. Cast: FRANKIE AVALON (Frankie), ANNETTE FUNICELLO (Dee Dee), Deborah Walley (Bonnie Graham), HARVEY LEMBECK (Eric Von Zipper), John Ashley (Steve Gordon), Jody McCrea (Bonehead), Donna Loren (Donna), MARTA KRISTEN (Lorelei), LINDA EVANS (Sugar Kane), Timothy Carey (South Dakota Slim), DON RICKLES (Big Drop), PAUL LYNDE (Bullets), Donna Michelle (Animal), Michael Nader (Butch), Patti Chandler (Patti), BUSTER KEATON (Himself), Earl Wilson (Earl Wilson), Bobbi Shaw (Bobbi), BRIAN WILSON (Beach boy). 98 mins. RM
Note: If you'd like to join our "low-kilobyte", no-attachment
Splodge!-lite mailing-list, just give us a "'hoy" here at
splodgeburger!
 
          Minor programme changes may occur due to unforseen
                          circumstances.
        Feature runs last; shorts order may vary from listing.
 
                    *  Acknowledging  ACMI Inc. & ScreenSound Australia ;) *
 
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Wed Jun 28, 2006 6:19 pm

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THEMELESS [2]!!! •BEACH BLANKET BINGO (1965), •THE MANY LOVES OF DOBIE GILLIS: THE LONG ARM OF THE LAW (1960), •CAVE MAN (1934), •BEACH BLANKET BINGO...
Splodgy Splodgeburger...
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Jun 28, 2006
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