Society of Motion Picture & Television Engineers New York Section Meeting Notice February 2004 (Guests and Non-members Welcome) PRACTICAL COLOR MANAGEMENT &...
http://groups.yahoo.com/group/ScreenCredits/
This group is about getting proper credits and pay in the Film and TV indus= tries.
Many producers and large...
Hello all, Please check out my web site at http://www.slateproductions.com I am trying to promote my independent film which will be screened at the Freedom...
Jason Allentoff Hi my name is Torrie Allen I own Ultimate Images in Prescott, Arizona. I am a freelance camera operator as well as crew person for a local TV...
Has anyone had any experiece with distributing a show or series through an HDTV network like Voom or Hdnet? What is the payscale and what is the process? Any...
Because of lack of funding and sponsorship, I-Media Films – http://www.imediafilms.com is closing its doors. We are selling thewebsite. If you are interested...
To all my friends and colleagues, Recently I decided that I would electrify one of my Forman Camera Bicycles for use in production situations. where silent...
Video Applications is currently involved with the first corporate event in the first theater with an installed 2048 x 1080 DLP Christie CP2000. We will be...
To all my friends and colleagues, An update of what I am doing with my screening room, the Forman Camera Bikes, still and moving images and more. Thank you, ...
Nice to hear from you Mark. I am continuing to put my HDCAM on the bottom of the ocean. I have recently filmed coral spawning on the Great Barrier Reef, remote...
WM 9 is comming along nicely. Have been seriously playing with it. If the source material is clean and noise free it compresses very well indeed to 2 mb per...
Hi Mike, I have been using WMV 9 in 1024x576 resolution and find it the best format for consumer distribution for older 16x9 PAL content (streatched...
yes. it means 24 fps. The "p" stands for "progessive" rather than "interlace". Most video has always been catured in odd and even feilds, but a progessive...
Thanks for making it clear. Is there any site from where i can get more info on HD and 24 progessive scan. ... __________________________________ Do you...
Sorry to be contrary, but it usually doesn't mean 24fps. In the post-production community, when people say "24p," they are usually referring to 23.98p -- which...
Seconded! when we work at 24 uncompressed HD for film out, and the workflow has the IP transfered back to NTSC, then we call it "TRUE 24" as almost everyone...
I have a client that is asking about scanning and archiving 4 hours of 30P Video shot with the Sony HDW-F900. They want to use a service bureau to scan the...
Hi Jay, what recording format was used? It is possible to archive on the native recording format which uses much less space than uncompressing it. The image...
Hi Mike - We are interested in the still frames rather than the motion video files and would archive the stills on Firewire drives - So each image file would...
Yahoo has changed the rules regarding membership in the HDTV and Digital Cinema Group. If a new pending member does not respond to a request from the moderator...
Hi everyone, I'm an indy filmmaker in the San Francisco Bay Area. I've just done some shorts and that's about it. For the next project I'm working on (as...
Hi Jason ______________________ Hi everyone, I'm an indy filmmaker in the San Francisco Bay Area. I've just done some shorts and that's about it. For the next...
Hi Simon - I noticed a lot of buzz about the Aja HD Capture cards: http://www.aja.com/ Is that a good choice for doing HD captures on a Mac using Final Cut...
... Hi Jay I'm not a big fan of Final Cut. I worked on a Cinewave/Final Cut system and I've never worked on another system that was that unstable. Maybe newer ...
sati <saftz@...> wrote:we are planning a feature in NY area for which we require a DP, well versed with DX 100 and 24p.if any one interested, email me...
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