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Disabled are only Discounted in Hollywood: Time for Change
Pam Vetter
December 13, 2007
“It’s sad. I go into businesses and companies and I’m fully accepted in the
corporate world, but not when it comes to a TV show or film project,”
actress Teal Sherer explained. “I want to bring attention to the problems
that performers with disabilities face. Nothing is going to change unless
we speak out. We’re a minority and we’re being overlooked.”
If you sense Sherer is a strong woman with a vision, you’re right. As the
Communications Director of the Screen Actors Guild Performers with
Disabilities Committee, she is using her voice for change.
In 1995, Sherer was a freshman in high school when she got into a car to go
see fireworks on Labor Day with a driver she had just met.
“It happened really fast. I broke my back in the car accident and suffered
a spinal cord injury. Paralyzed from the waist down, I found myself in a
wonderful rehab center in Atlanta, the Shepherd Center, with other
teenagers who were worse off than me. One of the girls had been shot and
she couldn’t move any of her limbs and it even affected her speech. I
realized how lucky I was that I could move my upper body,” Sherer
remembers. “My life changed dramatically after the accident. Had this not
happened, my life would be boring, I would have stayed in Tennessee, gotten
married and drifted into middle age. After this happened, I realized I
could do anything.”
Sherer went onto college and majored in Communications/
In 2005, the HBO project “Warm Springs,” was filming in Atlanta. She earned
a part in the film that focused on Franklin Delano Roosevelt, who was left
a paraplegic from polio at 39. The film, starring Kenneth Branagh, followed
FDR’s struggle with paralysis and his return to public life and politics.
“I helped Kenneth to understand disabilities. We went swimming together. I
showed him how to walk with braces. It was a wonderful opportunity,” Sherer
said. “I moved to Los Angeles almost three years ago. I can’t live on my
acting income because I only have ten auditions a year. There just aren’t
that many parts that are written for a wheelchair user. My goal is to get
into the audition. I can play a teacher or a girlfriend, I can do anything
anyone else can do. I don’t only have to play disabled characters. We can
play real people because we are real people.”
Sherer did find recent success on the pilot “I’m With Stupid” for NBC
Television.
“Wil Calhoun wrote the pilot. It was about a friendship with a guy in a
wheelchair and based on the BBC series of the same name. I was cast as a
regular, but it wasn’t picked up. Last week I had a commercial role
audition and I booked another commercial for Highmark Insurance, but it’s
only running in Pennsylvania,” Sherer said. “The battle is clearly uphill.
I know it’s hard for able-bodied actors as well to break into the industry.
But, we just want to have the same opportunities. We feel hidden by TV and
film producers. It’s very rare that producers want to use us. Sometimes we
get auditions but it’s only as a favor to someone we know.”
Sherer is simply searching for fair access.
“We feel excluded from the process. If more writers were writing parts that
showed disabilities or if producers had an open-minded spirit toward
disabilities, it would be easier. They’re already casting different
ethnicities and colors, but we’re far behind them. We’re not even on a pie
chart of the Casting Data Report showing diversity,” Sherer said.
With the upcoming 2008 performances of “The History of Bowling,” which
Sherer is co-producing with actor Danny Murphy, she hopes to bring
attention to performers with disabilities.
“I do have hope. I’m pursuing the entertainment industry because I’m
positive we can make a change. It’s about creating it for yourself and I’m
interested in all aspects of writing, producing, and performing. I’m
currently studying at the Improv with the Groundlings. With the recent
writer’s strike, it’s ironic, but with participating on the picket line,
it’s brought the performers with disabilities together and made us a
stronger unit. In the meantime, I do temporary work as an assistant in the
entertainment industry. In the corporate world, there is no discrimination.
They all want to hire me and entertainment companies greet me with open
arms. It’s ironic,” Sherer added.
Not one to sit around and wait for opportunity, she is working on an idea
for a documentary to take everyone to task who parks in a handicapped
parking space.
“It drive me crazy. Just the other day, I saw this beautiful woman leave
Starbucks. I couldn’t find a parking space, but she found one right up
front. It was a handicapped space and she was walking just fine. She
clearly wasn’t handicapped. We need a documentary to attack the subject.
It’s almost 2008 and there are too many handicapped placards being given
out or misused,” Sherer explained. “I see opportunities to create
documentaries because you have to stand up for what is right.”
Sherer has also written articles for New Mobility Magazine and she’s
involved with Wheels for Humanity in North Hollywood.
“Wheels for Humanity is an incredible organization. They refurbish donated
wheelchairs and hand fit them to children and adults with disabilities in
third world countries. We just got back from Tijuana where we gave 100
wheelchairs to people who needed them. A wheelchair can change a life. We
receive corporate and individual donations, but a lot of wheelchairs end up
in landfills. Wheels for Humanity has helped nearly 35,000 people with
disabilities since 1996,” Sherer added. “If we can get wheelchairs to
people in third world countries, we can get performers with disabilities up
on the screen.”
“The History of Bowling,” will run March 7 – April 13, 2008, at The NoHo
Arts Center, 11136 Magnolia Boulevard, North Hollywood, CA, (818) 508-7101. For more information link to http://www.TheNoHoA
For more information on Wheels for Humanity link to
http://www.WheelsFo