Muri Shinju: Nihon No Natsu (Japanese Summer: Double Suicide, aka Night of the
Killer), made in 1967 by Oshima. His famous movies would follow, and I hope I
will be able to see some of them in April: there is an Oshima each weekend at
the AFI Theatre in Silver Spring.

It was my first encounter with Oshima and with a movie from the Japanese New
Wave. I had read some insightful info in the monograph of Tom Vick (Asian
Cinema). I will crystallize my ideas after watching several movies.

Some words about this one, the Night of the Killer: it called into my mind the
first movies of Jarmusch (the kind of Stranger Than Paradise), however it's
another animal; it is programatically against any value; any value in the
Japanese society, any Japanese myth, any concept of cinematic art; it's an
anti-movie with an anti-plot, by an anti-author. A girl is looking for sex
(well, it happens, you know), all males are jerks, so sex cannot be. And
gangsters are the number one jerks (this is a movie with gangsters and there are
a lot of Japanese movies cultivating the myth of the gangster, black dramas -
here is a black comedy: gangsters are just guys of nothing, crazy violent
impotent idiots; they think they're killers, actually they are not, they are too
impotent to kill - however in the end some of them kill here and there, just to
contradict even the logic of Oshima - as I said, he is an anti-author, whatever
that means).