... Oh that would be so very great! Thanks in advance!...
40898
thebradstevens
Oct 2, 2006 11:39 am
... It was Adrian who suggested that Robin Wood and Manny Farber existed at two ends of the critical spectrum. In my response, I pointed out that, as far as...
40899
thebradstevens
Oct 2, 2006 11:46 am
... insight into how Farber didn't like the ... it ... has ... is ... school ... it's ... it's ... in ... skipped ... So if I were to describe (to take a...
40900
David Ehrenstein
cellar47
Oct 2, 2006 12:35 pm
... And you've huffily declared your disinterest in so much as considering Manny's paintings. So let's call it a draw. ... ...
40901
thebradstevens
Oct 2, 2006 1:03 pm
... you've huffily declared your disinterest in so ... If you mean to imply that Manny Farber's writings cannot be defended without reference to external...
40902
David Ehrenstein
cellar47
Oct 2, 2006 1:28 pm
... I have essentially admitted my boredom with your pettiness. I really don't see any point in discussing this with you further. This forum is about serious...
40903
thebradstevens
Oct 2, 2006 2:26 pm
... Exactly. And 'you can't understand Manny Farber's criticism unless you are familiar with his paintings' is not in any way, shape or form a serious...
40904
Richard Modiano
tharpa2002
Oct 2, 2006 2:53 pm
... wrote: "Well, you're right of course. But do you (or anyone else) know how far the big ones (i.e. Ford, Hawks, Hitchcock, Welles, von Sternberg, Lang,...
40905
Dan Sallitt
sallitt1
Oct 2, 2006 2:58 pm
... Too bad Bill isn't around at the moment, as he's probably got more concrete information in this area than anyone. But I think you'd find that a lot of...
40906
Adrian Martin
apmartin90
Oct 2, 2006 3:13 pm
Brad, did you cut your trip to Amsterdam short just to return and bait us Farberians ??? You have really comprehensively misread what I was putting forward in ...
40907
C.P. Czarnecki
cp_czarnecki
Oct 2, 2006 3:25 pm
... You perhaps misunderstood my question or I expressed myself in a wrong way, because I didn't ask how much power those directors got from the studios, but...
40908
BklynMagus
cinebklyn
Oct 2, 2006 3:44 pm
... it a priority to supervise every phase of their films, and often managed to marshal enough power to do it. The only director I know anything about in this...
40909
thebradstevens
Oct 2, 2006 3:57 pm
... in ... Farber ... observation' as ... and ... our ... wasn't ... But you were defending this school, or at least suggesting that it had some value, albeit...
40910
Marc Raymond
mraymond_1918
Oct 2, 2006 4:01 pm
Speaking from my own experience, I agree with Adrian that having some kind of modern art context is essential to understanding Farber's approach. When I first...
40911
samfilms2003
Oct 2, 2006 4:19 pm
... Not the photography, the display. ... Not sure I follow... ... No, quite contrary. An interesting (and very photochemical / analog !!) variant here is a...
40912
samfilms2003
Oct 2, 2006 4:42 pm
... Well you can study this by how they shoot, "cover" or do not cover the scenes.... You can't prove in court the cut down to the frame as 'authorship' of...
40913
Richard Modiano
tharpa2002
Oct 2, 2006 5:31 pm
... "...I didn't ask how much power those directors got from the studios, but how interested they were in aspects like pre- and post-production. There are...
40914
Edelvision
edelsteindavid
Oct 2, 2006 6:06 pm
Thanks for this eloquent assessment. I found this Gorin and Amos Farber piece, which I hadn't seen. online:...
40915
Gus Gaumont
cairnsdavid1967
Oct 2, 2006 8:37 pm
Mike Grost wrote: "I agree with much of what Brad is saying about Farber. At the core of the trouble: it is very hard to understand much of what Farber is...
40916
Marc Raymond
mraymond_1918
Oct 2, 2006 9:00 pm
For deatils on Mixoguchi's shooting methods, see Bordwell's chapter in FIGURES TRACED IN LIGHT. Marc ... ...
40917
Gus Gaumont
cairnsdavid1967
Oct 2, 2006 9:10 pm
"And so I was wondering: is that the case? Do the non-narrative folk who love Sternberg really have entirely different reasons for appreciating him? Or could ...
40918
MG4273@...
nzkpzq
Oct 2, 2006 9:23 pm
Lutz Bacher's book, "The Mobile Mise En Scene: A Critical Analysis of the Theory and Practice of the Long Take Camera Movement in the Narrative Film" (1978)...
40919
Mathieu Ricordi
mathieu_ricordi
Oct 2, 2006 9:41 pm
... David, I can't tell with this statement whether or not you actually like Michael Mann. It seems like you're making him out to be a hack that can film the...
40920
MG4273@...
nzkpzq
Oct 2, 2006 9:51 pm
Have greatly enjoyed, and learned from, everyone's posts on Manny Farber. I will now retreat to a neutral corner for the next six months. And try to absorb...
40921
Edelvision
edelsteindavid
Oct 2, 2006 10:03 pm
You've misread me. I find Mann's use of space more interesting than most living directors'. In Miami Vice, he is able to create compositions that I can only...
40922
Matt Teichman
bufordrat
Oct 2, 2006 10:29 pm
... I take it you had some of my posts in mind. Usually when it comes to story discussions I switch into polemical mode--something which, unfortunately, is...
40923
Mathieu Ricordi
mathieu_ricordi
Oct 2, 2006 10:41 pm
Thanks for clearing up my misreading... and you're right about what Mann would have brought to "the departed" (although I haven't seen the Scorsese, I take it...
40924
Richard Modiano
tharpa2002
Oct 2, 2006 10:54 pm
... wrote: "For deatils on Mixoguchi's shooting methods, see Bordwell's chapter in FIGURES TRACED IN LIGHT." What are Bordwell's sources? I ask because he's...
40925
Adrian Martin
apmartin90
Oct 2, 2006 11:27 pm
Brad! I tried to meet you half-way (that's better than no way, cue The Partridge Family) in this argument, but you have ignored almost every point I tried to...
40926
r_ram_shankar
Oct 3, 2006 8:24 am
... at all in ... have used in ... artistry in ... What about "Hangmen also die" for narrative film? What about Orson welles' Othello? Hypothetically, what if...
