... starring ... I hadn't a clue about the existence of these - thanks for the information. The only other "unknown" Preminger (though it isn't really; I just...
From today's TV schedule: due to the unfortunate and recent passing of Gregory Peck, Turner Classic Movies has cancelled Hawks' (relatively) rare THE CROWD...
... I've never seen THE YEARLING. But I like PORK CHOP HILL. I've been waiting for many years for the auteurist community, what's left of it, to reevaluate...
... One of the aspects of auteurism that I always liked was its emphasis on seeing a lot of films. The ethos of auteurism was basically that you should see...
... I guess there hasn't been much, but I saw the memorable BALL OF FIRE in the Film Forum's comedy series last year, and there were a few others in the...
Dan: "So it sounds as if the impact of Sarris' FILM CULTURE guide in 1963 was pretty much immediate..." Pretty much. I know when I bought it it was a "back...
Hawks titles that are available through repertory channels are few these days. I once struggled to find a non-archival 16mm of SCARFACE (finally found it)....
THE ROAD TO GLORY (1936) played at the Wexner Center in Columbus last year. It was part of the Guy Maddin retrospective and was paired with ARCHANGEL at the...
I hope that some of you were able to catch the King Vidor mini-"marathon" that TCM aired late last night. They kicked it off with "The Crowd," followed by ...
... but I ... On the Mobius board, last October, someone says that's one of Scorsese's major restoration projects: "A blurb in Daily Variety about 3 years ago...
... "marathon" ... Crowd," followed by ... since it was ... kind of ... (I hope Fred doesn't get irritated with all this talk of classic films being shown on...
... Yeah. I found it interesting, but there was something pointed about the subject matter that felt a little artificial to me. Vidor is an excellent...
... politique. I ... auteur ... Wollen's piece "Who the Hell Is Howard Hawks?" has some worthwhile information regarding this, though still too vague to count...
... I really like that one a lot too. In the Schickel documentary, Vidor (who I found to be an extremely thoughtful and eloquent speaker here) commented that ...
... All this might seem to suggest that Sarris had never seen or heard of Hawks. In fact Sarris explains, a bit ambiguously, after the sentences quoted by...
... In "Who the Devil Made It," Bogdanovich talks about how, while Sarris wrote and signed the Film Culture issue alone, "Archer's input was understood." He ...
Two quick points of information - UCLA has restored the director's cut* of BIG SKY. It can alo be seen (in what I assume is not as good a print) on Cahiers du...
... My favorite Vidor is actually the little-known THE WEDDING NIGHT, a very nice drama from around the same time as OUR DAILY BREAD. The latter film...
... Hawks used to like to tell the story of how the distributors insisted on the cuts so they could squeeze in an extra show per day, and that the cuts killed...
I've been catching up on late Hitchcock recently and watched FAMILY PLOT for the first time. While perusing Truffaut's seminal book about the master, I...
I recently had the chance to view Mulligan's "Clara's Heart" again. I know it's one of Fred's favorite pictures - and that Mulligan has something of a ...
... Has anyone ever determined the veracity of Hawks' claims that Universal cut somewhere around 30 minutes out of "Man's Favorite Sport" after test ...
So I first saw this around five years ago on TCM then last year at the Action Christine theater in Paris--in both cases, I believe the runtime was 2h20 ...
... McCarthy did the research and found that 25 minutes were cut from the film in two stages. (Hawks apparently claimed that as much as 40 minutes had been...
Sorry, guys, I've been too busy arguing with the Philistines over at CM (joke, joke) to post the more interesting things here, but I intend to trot out my own...
The East Coast premiere of this recently recovered* Ukrainian operetta co-directed by Ulmer and Vasily Avramenko (the first of Ulmer's ethnic films) was as...