I think this is what directors aim for in their late movies. Mitry used
to say that Ford's people start out as stereotypes but then surpass the
type. Gets truer as time goes on. In some late Renoir, a constant aim
in Rossellini, von Sternberg, Ophuls...
>
> > From: "jpcoursodon" <
jpcoursodon@...>
> >
> > But can you give me an example of a character who is not
> > subordinated to an idea? Isn't there always an idea at the start of a
> > character?
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