On Sep 30, 2005, at 3:06 PM, Jemima Harrison wrote: <<It's too easy to say this, and not fair to be so sweeping. I can't speak for the news media, but I direct...
tcurren@...
Oct 1, 2005 3:22 pm
21643
I haven't heard from anyone on this, but just letting you know it's more or less resolved and the client gets new DVDs today. The capture in question was one...
By contrast - sometimes it's as bad to AVIOD taking a position. Example oft cited: covering global warming. The common practice of giving equal time to a...
... There's a good article in Studio Monthly's September, 05 issue. I've implemented a few of the ideas. - - Patrick inhofer editor, compositor, nice guy ...
I applaud your honor, but I personally don't believe anyone can be truly objective. Every shot you choose to juxtapose manipulates the viewers experience. The...
This should probably be taken off-list but . . . Are you saying that "no reputable scientific thought actually refutes global warming"? I'm not sure that I...
Brian, is this something Apple have said (or better: Written somewhere), or your own experience? We keep projects and media on the SAN, and OS, FCP and...
If your SAN is Xsan, Apple does say that you should not keep the working project file on the Xsan volume. Keep the working project versions on the local...
... The theory is a lot older than "just a few days ago", it originated from solar scientists and has been running around in the media for over a year. A...
Knut A. Helgeland
knut@...
Oct 2, 2005 1:56 pm
21652
Enough, please. Let's keep politics and other discussions unrelated to FCP and video topics to a minimum. IMO. Brian Conner...
... Thanks, Patrick. Another sign of how out of the loop I have been... I got A/V Video for at least 10 years but I had never heard about its new incarnation....
Patrick, As Steve correctly points out, Studio Monthly doesn't appear to have online availability, so could you summarize the ideas you implemented, please? ...
... I can do better... the author of the article is Larry Jordan who has his own website with a bunch of how-to articles. He has an article very similar to the...
In the docs I've cut, I have also found that at times staying totally true to the timeline and such may actually get in the way of the viewer understanding the...
The system here is FCP HD on 500 Mhz G4, 1.25 gb memory, OS 10.3.9. We have 40 hours of footage. There is a Lacie external drive, and an internal drive for the...
Brian, what you said was: "If you still believe what you see in "documentaries" and "news packages" as fact, then you aren't getting the point." Forgive me if...
As mentioned in a previous thread: For each sequence in your project: 1. select it in the Browser 2. open its settings (Cmd+0) 3. go to the Timeline Options...
... This raises an interesting area - one of tone. I think there's a difference between being brutally honest and kindly honest. The latter doesn't mean that...
On long projects, I tend to start off with, say, Charlotte Church 1, then every now and again, I duplicate and rename these project files so by the end of it...
... Larry's process sounds great for separating media cleanly, but doesn't this wipe out the FCP benefits of working with more than one project at a time?...
Jeff Cook
jeff@...
Oct 2, 2005 5:20 pm
21665
Joe, doing those things did help. Jemima, the media is spread over a couple of drives. I moved things from the fullest one to the emptier one, and this seems...
As Larry Jordan says, there are a number of different naming schemes, and none of them are wrong. What I do is to set the Capture Scratch to the root of my...
Also be sure to store your project file on your internal drive and not on your external FW drive. This should also help improve performance. Regards, Dave...
I think there's a difference between being brutally honest and kindly honest. Jemima _________ Agreed. It was handled well and his trainer spoke of "heart" and...
Exactly. The doc I've just finished cutting here in the UK (Charlotte Church: Confessions of a Teen Angel, ITV2 Oct 6, 9pm - did I mention this already ... ...
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