i'm testing to see what i can see... and the first weird thing is that in MM, i can see ive got 1gig os original media, and 2gigs modified. that's normal, but...
... thanks Nick, appreciate it. ... What is it? Weird Media Manager Messenger Day? (I thought it was just the Oscars causing the temporal distortions) ... I...
... maybe "out cate's" win is affecting my set up? ... ive got some some plain old "text" in there, too, but that doesn't really have a frame rate. got some...
Ok, not a happy theory, but one nevertheless (and discussed here before). Try moving to your internal drive. Here's why- You're running into a data collision....
Hello Everyone, I've been moving from Avid to FCP and have a couple of questions. I need to tag quite a few commercials for several different markets. I hate...
Benny Christensen
benny@...
Mar 1, 2005 3:23 pm
16838
There's another reason that Jeff's is the correct solution. The slowest device on the firewire bus will drawer all devices down to that speed. Most, if not...
Kerry, under the FWIW column, apparently the JVC D-VHS deck is an S200 device. All the other decks and camcorders I've seen are S100. Brian Conner ... From:...
FCP has a great feature called "Paste Attributes" which can be used to do exactly what you want and retain any transitions and filters. 1. Copy the new clip to...
I have seen cases where a "clip" is offline but it doesn't look that way in the timeline. I'm assuming it's some kind of bug. I'm so used to working around...
Good thing, Wes. I thought I had it socked away on an archived firewire drive. I pulled them all down off the shelf, mounted each one and looked. No beans....
If I understand the situation correctly, the clip wont "look" offline if it's something that's rendered. It will play from the render file. -peter ... From:...
Okay the clip is a QT movie rendered in After Effects and placed in the timeline. FCP "forgets" the link and doesn't tell me it's offline. I re-connect to the...
Benny Christensen
benny@...
Mar 1, 2005 11:31 pm
16847
In my experience, FCP is rock solid at noticing media that has gone offline. If you open a project and it can't locate the media it will tell you and give you...
I've got some interviews i'm mixing right now that are all phase interverted to each other (multiple mics)...so it sounds like hell when mixed mono. Problem. ...
Robert, I have used Peak Express or DV or whatever it is currently packaged with Final Cut to do just that. Although the free audio tool is rather crippled...
So, has anyone out there been successful in preventing clients from touching the monitor? And placing a shotgun next to the computer is not an appropriate...
Scott
film@...
Mar 2, 2005 6:00 pm
16851
Electric shock device placed in the client chair? gl...
Put a laser pointer at the producer desk - they love that. Lee Scioneaux Compose Digital Design 7650 Old Hammond Hwy Baton Rouge, LA 70809 225.927.4333 (v) ...
... A simple 180 degree phase reversal won't help in a case like this. The phase differential will vary depending upon the distance between one mic and...
... No, on the monitor itself. It's called a "touchscream". ... It seems to work for Bob Zelin on Avid-L. ... I've used Windex or similar cleaners on CRTs, but...
Adam Wilt
adam@...
Mar 2, 2005 6:37 pm
16856
... And then it reflects back in your eye. I hate that. Wooden chop sticks are good. They can point - and even touch - the monitor without leaving grease marks...
By accident I ran into this: Generated very long clips, about 2 hours long, 1 video track and 6 audio tracks each in their seperate Quicktime movies. Cut short...
... How long does it take to depress the phase switch? As I said before, though, I'm sure this isn't a simple 180 degree shift... -- Greg Glazier Sound Editor ...
... What were the settings you used in Media Manager? From memory including affiliates would give this result. Did you make the clips independent before using...
... make ... board :( ... I'm making a playback tape for the studio of a talk show. I'd need to record the fixed audio for the busted packages back in to the...
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