Dear Friends,

It's been so long since there was a post on this board, I
almost forgot it existed!

In hopes of bringing some much-needed emails to my in-box,
I've placed a draft of an essay of mine in the 'files' section
of our Yahoo page. It's the beginnings of a large-scale
argument about Cornell's great film, _Rose Hobart_. If the
spirit moves any of you, I would appreciate your comments, and
especially your critiques of what I have to say. It's only a
draft, and my ideas are still warm and ductile, so I'm
enthusiastic about the possibility I might provoke some of you
to vehemently disagree with what I've written.

(If you don't feel like slogging through my unpolished prose,
no hard feelings.)

Please don't share the essay with anyone outside the group
without my permission, OK? I'm happy to discuss it here in
the open, of course, with the knowledge that all FilmArt
messages are publicly accessible.

Yours,

Kian
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Peculiar Marks are the Only Merit.
-Blake on Reynolds