Seven? MS staff ought to be watching seinfeld reruns. (George Constanza wanted his son named after that also) BTW It is so nineties to talk about MS ;-) John...
Hello all, I have exported some clips as .mov files using a MPEG2 IMX50 codec. Now the engineers at the station are requesting that we wrap the IMX as an MXF...
... Had read about it, haven't seen it at work yet, but first of all, let me stress that I think it is wonderful that someone finally got to create a utility...
Any good tutorials on script sync? Thanks, Tracy Smith tracer_s14@... Online Editor, DI Colorist Avid Certified Instructor (ACI) [Non-text portions of...
... It's working well at some very large companies. You're right though, that Sync-N-Link currently requires the metadata to come from FCP, therefore the BWAV...
... I think it is better this way. Those who need the specialist tools can invest in them and those who are well served by the app's core functionality don't...
Avid has one online. I just finished my first show and would never work any other way. It's a brilliant tool and very easy to set up. Alan Miller ... From:...
If you can't "Export" as MXF, what about Consolidating or Transcoding the material? That should work. Helpful trick: Consolidate to a partition/drive with no...
... Agreed on that point, of course. And again, kudos to you for creating the software to pull it off (although I'd love you to make it work for Avid workflows...
... As soon as Avid have an open way of getting data out and back in - as easy as FCP :) Or as soon as we can even get someone from Avid to talk to us. (We've...
... Wes, I sympathise with this point of view, and agree with you on the price aspect. That said, it also infers the opposite direction of tight integration of...
My take on this... I don't know shit about the film workflows, i have no idea what Flex files are, nor do i know that TK to tape means.. But i have gathered a...
Nope, that's what Eric gets after i'm done with him tomorrow... (poor kid...) Bouke VideoToolShed van Oldenbarneveltstraat 33 6512 AS NIJMEGEN The Netherlands...
If you use the sticks as a visual basis for the clap to be perf slipped in sync isn't the effective temporal resolution of the visual 1 frame? I guess you...
Anyone on the list involved with, or know anyone involved with the post production of the recent PBS series Make 'em Laugh--the history of comedy. Have a...
lgiovanniello@... Lucia Giovanniello was the assistant editor, you could try her. Awfully nice person sue --  -------------- Original message from...
 Hi Alan  is this work with 48 hours? Are all of the editors using this tool? Thanks, Susan Perla --  -------------- Original message from ammfx@...:...
Alan Miller of this list posted a few weeks ago that he worked on the series. Not sure if he did the off-line or the on-line. He's in NYC. Steve Hullfish ...
... I noticed during some I Love Lucy footage they were clearly "Panning and Scanning", cropping the top and bottom and scaling full on the wide side, there...
Hi Mark, I did all the finishing editing for the 6 hour series including color correction and compositing. The archive clips which were in 4:3 or some other...
Hi Sue, Yes, I started convincing another editor there to use it on a new show we were starting. I had never used it before but just loved the concept and...
... I haven't seen this (I'm in the UK) but thanks for making the effort to get it right (see my comments on the Les Paul doco a few months back). -- With best...
... Telecine logfiles, containing a database excerpt of the relationship between Keykode, roll numbers and videotapes and timecodes. ... It's a common...
I almost forgot, for those who haven't seen the shows , the beginning of the six show is a fake PBS pledge nite shot in the actual studio. Billy Crystal is...
All MXF's are not created equal. There are many different possible "MXF" files all based on codec, file-structure etc. You should find out the specifics of...
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