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#4087 From: "jup2_com" <jup2_com@...>
Date: Fri Nov 20, 2009 5:14 pm
Subject: FNL Actress Alicia Witt to star in Hallmark Channel movie
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Alicia Witt to star in Hallmark Channel movie

Markie Post, Frances Fisher also cast in 'Backyard Wedding'

By Nellie Andreeva

Nov 19, 2009, 11:00 PM ET



Alicia Witt has signed to topline a Hallmark Channel movie tentatively titled "Backyard Wedding."

The film centers on Kim Tyler (Witt), who is all set to have the wedding of her dreams in her parents' backyard, but her ex-husband and first love -- whose parents happen to live next door -- keeps popping up.

Also cast in the project are Markie Post, who will play Kim's Aunt Addie, and Frances Fisher as Kim's mother, Eleanor.

Bradford May will direct the movie from a script by Nina Weinman. Larry Levinson is executive producing, with Randy Pope and Amanda Phillips serving as co-executive producers and James Wilberger and Brian J. Gordon as producers.

Witt has been recurring on the fourth season of the DirecTV/NBC drama "Friday Night Lights," playing Cheryl, Tim Riggins' (Taylor Kitsch) landlord who had a one-night stand with him.

She is repped by Gersh and Brillstein Entertainment.









#4086 From: "jup2_com" <jup2_com@...>
Date: Fri Nov 20, 2009 4:03 pm
Subject: Whitmer tops district picks-3 Panthers, AW lineman named as best of year
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Next week is Thanksgiving - Perfect Time for Some High School Football News from the Old Alma Mater=D>


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Article published November 20, 2009

Whitmer tops district picks

3 Panthers, AW lineman named as best of year in D-I

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City League champion Whitmer collected three of the four top Division I honors in the 2009 Associated Press all-district football selections released yesterday.
Senior quarterback Joe Missler was chosen offensive player of the year, junior end Kenny Hayes received defensive player of the year, and the Panthers' Joe Palka was tabbed as coach of the year.
The other top D-I honor went to 6-7, 280 offensive tackle Andrew Donnal of Anthony Wayne, who was selected as lineman of the year in D-I.
The all-district teams were selected by a nine-member media panel meeting in Findlay.
Missler, trigger man for the eighth-ranked 9-2 Panthers, passed for 856 yards and ran for 802 despite missing two-plus games with injuries
The 6-5, 240-pound Hayes, who has already committed to Ohio State, recorded 42 tackles and seven sacks.

Missler and Hayes were joined on the all-district first unit by three teammates - senior offensive lineman Anthony Frontine, senior running back Teryl Merson, and 6-5, 250-pound defensive lineman Chris Wormley.

Donnal was joined on the first team by Anthony Wayne senior running back Jordan Schwerer.
St. John's Jesuit had four first-team selections in D-I, including senior offensive lineman Randall Schuler, senior linebacker Garrett Harvey, senior defensive back Josh Holzemer and junior defensive back Cheatham Norrils.
Southview, which shared the Northern Lakes League title with Maumee, had three seniors gain first-team status in D-I - offensive lineman Nate McDaniel, linebacker Dylan Coleman, and defensive back Jimmy Hall.
Also on the D-I first-team were senior receivers Antoine Russell of Bowsher and Devon Price of Start, Clay senior linebacker Mike Ackerman, and Perrysburg senior punter Matt Marquette.
In Division II, the City League also collected three of the four top individual honors as Rogers senior linebacker Ray Bush was chosen defensive player of the year, Central Catholic junior center Kyle Cameron was named lineman of the year, and 26th-year St. Francis de Sales coach Dick Cromwell was picked as coach of the year.
Bush (90 tackles, 13 for losses) and Rams senior quarterback E.J. Tucker 1,193 passing yards, 1,118 rushing yards and 23 touchdowns), who have each committed to the University of Toledo, were joined on the D-II first team by 6-7, 315-pound junior offensive lineman Felix Fowler.
Cameron was one of five Central players to gain first-team honors, joining junior running back Calebb Goings, senior kicker Kyle Burkhardt, senior defensive back Gerren Duhart, and senior defensive lineman Jamaal Tarrent, who was also a first-team choice last year.
Burkhardt, also a first-team All-Ohio baseball player last spring at shortstop, hit on 13-of-16 field-goal attempts this season, including one from a school-record 57 yards and two others from 52 yards.
Cromwell, who has posted 208 of his 251 total head coaching wins at St. Francis, led the Knights to a 9-1 regular-season finish and No. 5 state ranking after they were picked to finish fifth in the City League in the preseason.
He previously guided St. Francis to a D-I state championship in 1984, a D-II state title in 2001 and to 13 City championships.
St. Francis had four seniors garner first-team selections, including receiver Scott Loy, offensive lineman Alex Kenzie, linebacker R.J. Rios and punter Pat Dyer.
Maumee had two players earn first-team status - senior receiver Damon Contat and junior running back Eric Long.
Also from the NLL, Springfield junior Kevin Williams (157 tackles) made the D-II first team at defensive line.
The offensive player of the year in D-II is senior quarterback Marcus Fuller of Ashland, which remains alive in the state playoffs at 11-1. Fuller passed for 2,316 yards and 22 TDs during the regular season.
Greater Buckey Conference tri-champion Napoleon highlighted the selections in Division III, with six Wildcat seniors grabbing first-team honors.
Leading the way was linebacker Cody Bloom (83 tackles, 12 for losses), who was named defensive player of the year.
The other Napoleon picks were utility back Clint Detmer, offensive lineman Skyler Davis, running back Brandon Hummer, defensive lineman Joel Spurgeon and defensive back Nick Rettig.
Bryan's Travis Cooper was named coach of the year in D-III.
Fourth-ranked Genoa (11-1), which saw its playoff run end in a 36-35 upset loss to Orrville on Saturday, was well represented on the Division IV all-district team, with seniors Greg Hillabrand and Connor Wendt heading the list.
Hillabrand (1,257 rushing yards, 25 TDs), also a standout linebacker for the Comets, shared offensive player of the year honors with Kenton sophomore quarterback Maty Mauk, who passed for 3,786 yards and 38 TDs, following up on his 3,309 yards and 36 TDs as a freshman.
Wendt, also a terrific two-way player for Genoa, was selected as defensive player of the year.
He recorded 80 tackles and four interceptions at defensive back for the Comets.
He also a combined 1,340 yards rusing and receiving offensively, and scored 28 TDs.
Joining Hillabrand and Wendt as first-team picks in D-IV were senior offensive lineman Jake Schreuder, sophomore placekicker Tyler Pickard and 6-9, 250-pound defensive lineman Richard Wonnell.
Ottawa-Glandorf's Brent Sager was chosen lineman of the year, and Galion's Chris Hawkins was picked coach of the year in D-IV.
In Division V, top-ranked Patrick Henry, which won its eighth straight Northwest Ohio Athletic League title this year, had four first-team selections led by senior running back Justin Buenger (1,428 rushing yards, 31 total TDs in nine games), who shared offensive player of the year honors with Coldwater quarterback Keith Wenning.
The other Patriots on the D-V first team were senior offensive lineman Brad Yarnell, junior defensive lineman Xavier Dye, and senior linebacker Joe Imbrock.
Liberty Center senior linebacker Alan Sharp (96 tackles) shared defensive player of the year honors with senior linebacker Brett Pasche of Liberty-Benton.
In Division VI, Todd Drusback of Fremont St. Joseph split top coaching honors with John Livengood of Norwalk St. Paul, and the Crimson Streaks had three first-team picks - junior running back Zak Bowman, junior linebacker Isaac Bowling, and senior defensive back Garrett Walker.

Contact Steve Junga at:sjunga@...
or 419-724-6461.





#4085 From: "jup2_com" <jup2_com@...>
Date: Fri Nov 20, 2009 3:15 pm
Subject: Red Dawn Cast Pix
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I haven't checked out REDDAWN2010.com in quite a while - so I looked today & found some principle cast pix - still none of Adrianne though ... =D>


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Wolverines Befriend the Chinese






Mitch sent in some great photos of some of the cast. Chris Hemsworth (Jed), Edwin Hodge (Danny), Alyssa Diaz (Julie), and Connor Cruise (Daryl) have been seen happily hanging out with thie enemy. Read more for the larger pics.













#4084 From: "jup2_com" <jup2_com@...>
Date: Fri Nov 20, 2009 3:08 pm
Subject: 'Red Dawn' filming wrapping up in Grand Ledge
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'Red Dawn' filming wrapping up in Grand Ledge

Alan Miller Lansing Community NewspapersNovember 19, 2009


This cave entrance, made of styrofoam, was built in Grand Ledge's Fitzgerald Park for scenes in the production of

This cave entrance, made of styrofoam, was built in Grand Ledge's Fitzgerald Park for scenes in the production of "Red Dawn," a feature film being shot at various locations around Michigan. Stars of the action-thriller, scheduled for release in November 2010, include Chris Hemsworth of "Star Trek" and Adrianne Palicki of "Friday Night Lights." (ALAN MILLER/Lansing Community Newspapers)



GRAND LEDGE " For a few days, it was “Hollywood on the Grand” in Fitzgerald Park.

Local filming for the action-thriller film “Red Dawn” -- a remake of a 1984 movie by the same name starring Patrick Swayze and Charlie Sheen -- began in Grand Ledge on Monday and was wrapping up today.

This version will star Chris Hemsworth, who appeared in this year’s “Star Trek” reboot, Josh Peck, previously seen in “The Wackness” and Adrianne Palicki of TV’s “Friday Night Lights.”

“This location works really well for the movie. There are a lot of story points where we need a real wooded scenic location, and we found it here,” said producer Tripp Vinson.

Other scenes are being filmed in Detroit, Harper Woods, Royal Oak, Milford and Highland Township.

“The locations that we found are very cinematic, so it adds a lot of scope to the movie,” Vinson said. “I think people are going to be surprised at how big this movie looks.”

Michigan offers the nation’s most aggressive tax credit, worth 30 to 42 percent of expenditures.

“The fact that there is such an aggressive incentive here is an added bonus, but I absolutely would not categorize it as the primary reason why we are here,” Vinson said.

The film, scheduled for release next November, tells the story of a group of teenagers who form an insurgency to defend their town when it is invaded by Chinese and Russian forces. The original film depicted an attack by Cuban and Russian soldiers.

Read Friday's Lansing State Journal for more on this report.




#4083 From: "jup2_com" <jup2_com@...>
Date: Fri Nov 20, 2009 2:49 pm
Subject: 20 Minutes of LEGION Seen: What Did We Think?
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20 Minutes of Legion Seen: What Did We Think?

Source:Ryan Rotten, Managing Editor
November 19, 2009




This week, Shock Till You Drop visited the Sony Pictures lot. Our reason was two-fold. We sat in for a day's-worth of shooting on Priest - an action-horror and sci-fi creation from director Scott Stewart starring Paul Bettany, Karl Urban, Maggie Q, Stephen Moyer and Christopher Plummer. And, we got a chance to watch 20 minutes of Legion, Stewart's apocalyptic thriller, again starring Bettany, not as an ass-kicking man of the cloth but the archangel Michael. It's Michael's mission in the film to protect the unborn child of Adrianne Palicki who might just be the savior of the human race when God decides to send his angels to earth to wipe us clean off of the planet.

The 20 minutes shown were selected clips highlighting some of the main themes of the film. They also introduce us to the film's ensemble cast: a colorful lot who hold up in a dusty diner when heaven unleashes hell. In the first clip, Michael smashes onto the Earth's surface, breaks the metal halo around his neck and slices the wings from his back. He loads up on guns and ammo from a nearby shop and takes on two cops who respond to a break-in. This offers us our first glimpse at an "angelic possession" when one of the officers goes all Jacob's Ladder - his body twitching like crazy until he turns into what looks like one of the vampires from 30 Days of Night (pointy teeth, black orbs for eyeballs).

Another clip - which will sure be the audience crowd-pleaser - features Gladys, a seemingly sweet old woman who enters the diner until she tells Palicki's character that her "f**kin' baby is gonna burn." Yee-haw! Later, this old crone goes ape shit and starts climbing the ceiling until she's put down.

Other bites we witnessed included "the first plague" (a storm of flies that the film's protagonists decide to drive into, not sure why) and co-stars Dennis Quaid, Charles Dutton and Bettany taking to the roof of the diner to mow down a possessed ice cream man (played by Doug Jones - creepy to the hilt) and a convoy of other possessed folks.

Dutton does a good job selling his role as a cook with a hook for a hand (no kidding) who knew Armageddon was coming he just "didn't think he was going to be around to see it." Then again, Dutton is always decent, an adequate go-to guy for material like this. Quaid is as crusty as ever as the diner owner and we didn't get enough of Lucas Black (playing Quaid's son) to really get a handle on his character, however, Bettany shares a potent scene with him that sheds some light on why Michael slipped out of God's grasp.

Legion looks like a movie with a lot of good ideas packaged in a retooled siege scenario. What Stewart brings to the table to make it fresh is still up in the air; much of what I saw I've seen before in many other films. Is there anything especially scary? Well, the Gladys part works quite well, and Doug Jones - in the brief few minutes we see him - demonstrates the power an angelic possession does to the human body.

Again, good scenes that have my interest. Now, I know there's a tremendous angel army showdown to come in the film - which is hinted at the in the trailer. Seeing some snippets from that might have given me a taste of Stewart's grasp on action, but I suppose there have to be a few surprises, right?

The jury is still out on Legion, for me at least. There's palpable enthusiasm from Stewart seen on the screen. And I'm open to the concept of the film amid the wave of remakes we've been getting. Fingers crossed it delivers on the execution and the wild imagination hinted at this menagerie of clips.

Legion opens on January 22.


11 Comments

Posted by: HTT on November 19, 2009 at 16:50:44

Wend do we can see the clips?


Posted by: DJCUBANBEATS on November 19, 2009 at 16:58:23

old lady scene crowd pleasing?

well crowd pleasing in an unintentional way..lol because whenever i see that trailer in a crowded theater,everyone starts laughing their asses off when that old ***** jumps on the wall lol


Posted by: ico on November 19, 2009 at 19:15:32

What's the news on the planned sequels?

This movie has some cheesy looking stuff but it's caught my interest.


Posted by: Ryan Rotten, Managing Editor on November 19, 2009 at 19:40:55

Sequels are dictated on box office.


Posted by: djblack1313 on November 19, 2009 at 20:06:16

i can't wait for this!! Bettany is terrific. plus i LOVE horror/sci fi/thrillers/action movies with angels! i'm not expecting original per se with this but it looks fantastic and i'll be there opening day 1st show!


Posted by: Leah on November 19, 2009 at 23:34:53

I for one can't wait til this film hits theatres... mainly because I am OBSESSED with Kevin Durand and he plays the arch-angel Gabriel in this flick.


Posted by: Nolan on November 20, 2009 at 00:15:01

i'm just n it for kevin durand honestly


Posted by: nickkkkkk on November 20, 2009 at 02:40:34

Fail


Posted by: Emenji on November 20, 2009 at 02:53:43

@ nickkkkkk

Sorry, but only underaged immature teenagers use the term fail as a derogatory.


Posted by: Haven on November 20, 2009 at 09:04:12

hahah i laughed about the old woman. "ape ****" is right, as seen in the trailer.
as for the movie im not so sure. I might be distracted by how they interpret the angels.. some how looking like the vampires from 30 days of night. Im also wondering how it'll end.. God losing? and this is why ill see it.


Posted by: bastian on November 20, 2009 at 09:15:36

sorry I have no interest in seeing yet again another film with angels and machine guns. lame.





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#4082 From: "jup2_com" <jup2_com@...>
Date: Fri Nov 20, 2009 2:24 pm
Subject: MORE INFO/SCRIPT REVIEW ON THE RED DAWN REMAKE
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November 18, 2009

MORE INFO/SCRIPT REVIEW ON THE RED DAWN REMAKE


600

So I got a hold of the script for the upcoming Red Dawn remake from MGM, and thought I’d try to give you a scoop on as much as I can without spoiling the whole movie.  Generally speaking, the story isn’t bad, but the dialog is a cliché-ridden mess, and a lot of the action sequences are only half written or fuzzy from a physics standpoint.  It’s hard to imagine how they’d shoot a lot of them unless they use that “cause-blur-effect” style shaky-cam editing, but considering the director did stunts on Bourne and was the second-unit director on Quantum of Solace, that’s probably exactly what they’ll do.  Other stuff:

Xenophobia!
In the original it was the Soviets invading Colorado, this time it’s the Chinese invading Spokane.  Because of tensions with Taiwan, and anger about a worldwide financial crisis caused by the U.S., and uh, because Russia doesn’t like Georgia getting accepted into NATO.  Or something.  The main thing is that Chinese people are the bad guys and a lot of them die.

Parkour!

240

There’s a sizable portion of the script devoted to a training montage in the mountains, plus a few crucial moments that involve jumping across gaps and going from building to building.  If that doesn’t turn out to mean parkour, I’ll eat my Tapout shirt.

Violence!
Who knows how much of it will make to the final cut, since I’d bet good money that they’ll be aiming for a PG-13, but as I said, a lot of Chinese people die, and there are plenty of “so-and-so gets his face blown off!” moments in the script.  And I like that.  Oh, and as a funny aside, like 70% of the set directions end in a an exclamation point.  Like: Bob goes to the store, only… it’s full of CHINESE SOLDIERS!  He ducks under the counter but… they shoot him in the face! I’ll admit, it does keep things exciting.


 150
The Red Dawn remake (the Russians invade high school!)  up two  castmembers: Josh Peck from The Wackness, and Adrianne Palicki, who looks like a really good actress. Peck will play the role of hotheaded high school quarterback Matt, originally played by Charlie Sheen. Palicki will play tough girl Toni, originally played by Jennifer Grey, who once gave birth to a baby in a corner.


Politics!
I realize it just wouldn’t be Red Dawn without a right-wing undercurrent, but even given that, there’s some pretty weird sh-t going on here.  The script revolves around brothers Jed and Matt " Jed’s a Marine who just got back from Iraq and Matt (Josh Peck, last we heard) is his high-school quarterback brother.  At one point, Jed makes a weird crack about CNN in front of some pussy-liberals-who’ve-never-been-to-the-front-lines! types.  But then later he teaches his high-school-kid resistance posse some of the guerilla warfare tactics he learned from the enemy in Iraq " which is sort of an interesting angle, probably the most interesting thing about the script, but of course they don’t really follow through on the implications of that.  Fine, so it’s an homage to a dumb 80s movie. I get it.  But at another point the kids are listening to the radio free America station, and a caller dedicates a song to them, and the song is… drumroll… Toby Keith’s “Courtesy of the Red, White, and Blue.”*  And this is supposed to be, like, a “moment.”  Actual quote: “To all of you out there on or behind the front lines, this is your song!” (*hurl*)  Probably the most vomit-inducing scene since Cynthia Nixon got naked in the Sex and the City movie.

Clichés!
Oh the clichés.  Remember “no signal“?  That’s in there.  As is cool guys don’t look at explosions. Then there’s “I’m gonna draw them away and hope they take the bait!”  Not to mention “shell-shocked guy”, the dad who sacrifices himself for his kids, the nerd who turns out to be good at something because he was good at a video game, and my favorite, “Be strong for the dead guy, Julie!  Dead guy would’ve wanted you to be strong!  He’s watching you, you know!”

Bottom Line!
There are some fun moments.  Will they be drowned out by the cheeseball crap?  Yeah, probably.  With smarter dialog, it could be a fun movie.  And if the director takes a more self-aware approach to the lamer, more “stock-action-movie dialog” parts, it still could.  Will it end up sucking?  Yeah, probably.

*I don’t know if they’ll actually get the rights to the song, but I imagine Toby Keith would agree to it since he’s a giant whore.  (And I mean giant in the sense that he’s very whorry, but also in the sense that he’s big and fat.)


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#4081 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 19, 2009 7:10 pm
Subject: FRIDAY NIGHT LIGHTS Booking Details for Thursday Nov 19 2009
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FRIDAY NIGHT LIGHTS



*** BOOKING DETAILS FOR THURSDAY NOVEMEBER 19th, 2009 ***



**YOU MUST READ THIS ENTIRE PAGE AND FOLLOW ALL INSTRUCTIONS!!!!!! NO EXCEPTIONS!!!!!!

**ALL CALL TIMES ARE SUBJECT TO CHANGE, SO YOU ABSOLUTELY MUST CHECK THE HOTLINE and/or PAGE IN THE MORNING BEFORE YOU GO TO WORK TO MAKE SURE YOU HAVE THE CORRECT TIME!!!! PLEASE SHOW UP ON TIME!!! If you are late you MAY be sent home!!***

Filming WILL take place rain or shine regardless of the weather, so you are expected to show up if you were booked! If it looks like it will rain bring an umbrella or raincoat.

Everyone MUST report to set "camera-ready" with your hair & makeup already done and ready to work. Please do not expect to have time to get ready once you arrive on set.

EVERYONE WILL BE REQUIRED TO FILL OUT A COMPLETE I-9 FORM ATTACHED TO YOUR PAY VOUCHER. YOU MUST HAVE A PHOTO ID (Drivers License, Passport, School ID, Military ID - minors can have a school report card or hospital record) AND YOUR SOCIAL SECURITY NUMBER IN ORDER TO BE paid!!


CALL TIMES: (Please READ carefully and be 15-20 minutes early to get checked in on time!!)


8:00AM Report to BASECAMP #1
CHURCHGOERS


3:00PM Report to BASECAMP #2
LIONS FOOTBALL PLAYERS
LIONS TRAINER/MANAGERS
LIONS ADULT TRAINER
LIONS SPIRIT SQUAD
LIONS ALUMNI
WILLIE GAULT PHOTO DOUBLE
OPPOSING FOOTBALL PLAYERS
OPPOSING CHEERLEADERS
OPPOSING COACHES
OPPOSING TRAINER/MANAGERS
OPPOSING FLAG RUNNERS
PRESS
FANS


The Report to Location for BASECAMP #1 is:
Extras Parking Lot
10712 FM 1625
Austin, TX 78747


DIRECTIONS for BASECAMP #1 is:
From I-35, Take 71 East towards 183
-Take 183 South
-Turn RIGHT at FM 1625
-Follow the yellow NEPI signs to EXTRAS Parking, NOT crew parking.
-Park as directed and check-in with Scott from Extras Casting


The Report to Location for BASECAMP #2 is:
Hermann Field
2605 Flow Lane
Austin, TX 78617

DIRECTIONS:
From I-35, take Hwy 71 East towards the airport
-Take the main airport exit
-Take a left onto Cardinal Loop and follow the road around to the right
-Follow the yellow NEPI signs to crew and extras parking
-Park as directed and sign in with Scott with Extras Casting




WARDROBE is as follows (Please read ALL instructions listed below!!!):
(NO LOGOS! NO BRIGHT COLORS! NO WHITE!! NO SHORTS or FLIPFLOPS!!)
***DO NOT WEAR FLIPFLOPS OR SANDALS OR YOU WILL BE SENT HOME!!!*** ABSOLUTELY NO FLIPFLOPS OR SANDALS! CLOSED TOE SHOES ONLY! THIS IS AN NBC SAFETY REQUIREMENT THAT EVERYONE WEAR CLOSED TOE SHOES. Unless otherwise instructed, PLEASE WEAR SOFT SOLED SHOES so they don't make loud noise on camera!!!

CHURCHGOERS: Please bring 3-4 options of Sunday conservative style clothing. Nothing flashy, no plunging necklines. This is a small town conservative church. Men bring sport coats, tie options, button down shirts, nice jeans. Ladies please bring cardigans, blouses, skirts, dresses, nice slacks. No jeans for the ladies. Also no bright prints on the dresses.

ALL FOOTBALL PLAYES: Please bring one school change such as jeans and shirts or t-shirts without logos. Also bring a white long sleeve Under Armor type shirt to wear with your football uniform and cleats if you have them.

ALL TRAINERS/MANAGERS: Please bring khaki pants, black belt, and tennis shoes.

OPPOSING COACHES: Please bring tennis shoes, khaki pants, and a black belt.

OPPOSING CHEERLEADERS: Please bring at least 2 pairs of pantyhose that match your skin color. Please bring no show socks and white tennis shoes. Pleas bring a warm jacket and blanket for off camera warmth.

OPPOSING FLAG GUYS: Please bring tennis shoes and khaki pants.

LIONS SPIRIT SQUAD: Please bring 2 pairs of pantyhose and black tennis shoes, black socks. Please also bring a jacket and blanket for off camera warmth.

WILLIE GAULT PHOTO DOUBLE: Please bring a couple of different options to choose from such as nice business casual clothing such as nice slacks, sport coats and tie options and the other look to be an athletic type such as khaki pants, polo shirts, black belt, and tennis shoes.

PRESS: Please bring at least 2 options of business casual clothing to choose from such as slacks, blouses, dresses, skirts, sport coats, button down shirts. Dress yourself warmly so bring jackets or trench coats. Muted colors. NO bright colors.

LIONS ALUMNI: Please bring 2-3 options of casual clothing such as jeans, tennis shoes, long sleeve shirts, t-shirts, or shirts without logos, sweaters, and a jacket or coat for your warmth. Please include the color red as a choice.

ALL FANS: Please bring the following colors this game. Red for the Lions and Burnt Orange or Black for the Opposing team. This can be t-shirts, jackets, sweaters, sweatshirts. NO UT logos. Please bring blankets and jackets for your warmth.Please bring an umbrella. Check the weather report and wear appropriate clothing.

IF YOU ARE RUNNING LATE OR ARE LOST -please call THE OFFICE.
THANKS AND WE'LL SEE YOU ON SET!








#4080 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 19, 2009 6:46 pm
Subject: Ask Ausiello: Smallville, Ugly Betty, Supernatural & Friday Night Lights!
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Ask Ausiello: Smallville, Ugly Betty, Supernatural & Friday Night Lights!






Question: Any new bits on Chloe's love interest on Smallville? Rich

Ausiello:
Three bits. The character's name is Steven Swift, his alias is Warrior Angel, and he's being played by Carlo Marks. Does that actor sound familiar? He should. He also played Chloe's "what if" fianc in the season 7 episode "Apocalypse." I'm thinking this Marks dude is either really good friends with the Smallville casting director, or the show's writers are screwing with us.


Question: I loved last week's episode of Ugly Betty. Justin's storyline was heartbreaking and triumphant at the same time. When will he finally come out? HH

Ausiello: I'm guessing by the end of the season, but Betty boss Silvio Horta would only say that Justin will continue "struggling with his identity and his journey is going to be funny, heartbreaking, moving and powerful."


Question: I heard that Ugly Betty is on the verge of being canceled. Can you give me any inside information on that? Michelle

Ausiello: I really don't think Betty is in any immediate danger of getting pulled off the schedule. I mean, the ratings are bad but they're not Dollhouse bad. Do I think ABC will renew it for a fifth season? Conventional wisdom says it's probably a long-shot. For his part, Silvio Horta is preparing for either scenario. "Obviously, we all want the show to continue, but I don't want to get caught off guard and have them tell me it's the last season and have to wrap everything up in one episode," he says. "So I have two season-ending arcs planned one where it's the last season and one where we continue for another one."


Question: I need some Supernatural scoop. D. Stephens

Ausiello: The show's 100th episode (slated to air in March or April) will be a big one for Jensen Ackles. To find out why, pick up the new issue of Entertainment Weekly, on sale Friday.



Question: Man, you were right: J.D. has turned into a real jerk on Friday Night Lights. What happened to him? Joe

Ausiello:
We'll find out later in the season, says exec producer Jason Katims. "You'll come to see that there are a lot of things underneath his bravado," he says. "It sort of stems back to what we saw last season with the relationship between his parents and the abuse from his father."



That's a wrap! Please submit questions/comments/anonymous tips to ausielloscoop@.... Thanks for playing (Additional reporting by Kate Ward, Carrie Bell, and Sandra Gonzalez)





#4079 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 19, 2009 6:37 pm
Subject: Two Shows You GOTTA Check Out If You Haven't Already!
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ABC's "The Middle" & "Modern Family" ! HILLARIOUS!!! :))

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Morning TV Report Chart Thursday November 19, 2009


Show Network Rating (18-49) Share Viewers (millions)
1. Modern Family ABC 3.7 10 9.2
1. Criminal Minds CBS 3.7 9 13.5
3. CSI: NY CBS 3.2 9 13.7
3. Cougar Town ABC 3.2 8 7.9
3. Glee FOX 3.2 8 7.3
6. Law and Order: SVU NBC 2.6 7 8.4
7. Gary Unmarried CBS 2.5 7 7.2
8. The Middle ABC 2.4 7 7.1
9. New Adventures of Old Christine CBS 2.2 7 7.5
10. So You Think You Can Dance FOX 2.1 6 5.7

Data provided by Nielsen


Posted: Thurs., Nov. 19, 2009, 9:20am PT

ABC's comedy block holds strong on Wednesday

'Minds' powers CBS victory in ratings

By RICK KISSELL



CBS has captured the third Wednesday of November in key demos behind a strong performance by "Criminal MInds" and solid numbers for the net's other shows. ABC's comedy block also looked good, led by "Modern Family."

According to preliminary nationals from Nielsen, CBS opened well with comedies "The New Adventures of Old Christine" (2.2/7 in 18-49, 7.5 million viewers overall) and "Gary Unmarried" (2.5/7 in 18-49, 7.2 million viewers overall), with the former drawing its best numbers since its season premiere and the latter its best in about a year. "Criminal Minds" (3.7/9 in 18-49, 13.5 million viewers overall) followed by winning the 9 o'clock hour in all key broad measures, as did "CSI: NY" at 10 o'clock (3.2/9 in 18-49, 13.7 million viewers overall).

In addition to winning the night in 18-49, CBS also cruised in both adults 25-54 and total viewers.

Elsewhere, ABC's comedies had a strong night in their return following a preemption last week for the CMA Awards. A repeat of "Modern Family" kat 8 p.m. (1.9/6 in 18-49, 6.2 million viewers overall) fared much better than the recently canceled "Hank," and that enabled "The Middle" to post its second best deliveries of the season at 8:30 p.m. (2.4/7 in 18-49, 7.1 million viewers overall). The middle-hour block of "Modern Family" (3.7/10 in 18-49, 9.2 million viewers overall) and "Cougar Town" (3.2/8 in 18-49, 7.9 million viewers overall) was also up vs. their most recent airings, with "Modern" edging past "Criminal Minds" to win the 9 o'clock half-hour in 18-49.

And at 10, the special "In the Spotlight With Robert Roberts," featuring an interview with Janet Jackson, averaged a solid 2.3/7 in 18-49 and 6.6 million viewers overall a big upgrade over regular slot occupant "Eastwick."

Fox's tandem of "So You Think You Can Dance" (2.1/6 in 18-49, 5.7 million viewers overall) and "Glee" (3.2/8 in 18-49, 7.3 million viewers overall) both dipped a tad week to week, though "Glee" was the night's No. 1 show in 18-34 (3.7/10) despite its third-place timeslot finish in 18-49.

At NBC, "Mercy" (2.0/6 in 18-49, 7.8 million viewers overall) was on the high side, finishing 1 share out of the 18-49 lead and winning the hour in total viewers. It was followed by "Law & Order: Special Victims Unit" (2.6/7 in 18-49, 8.4 million viewers overall), which dipped a bit from its season high of the previous week, and "The Jay Leno Show" (1.4/4 in 18-49, 4.8 million viewers overall), which was flat week to week and remained a distant third among the broadcast networks.

CW's season finale of "America's Next Top Model" (1.7/5 in 18-49, 3.7 million viewers overall) didn't see much of a bounce, placing fifth in the 8 o'clock hour among adults 18-49 but moving up to second in 18-34 (1.9/6).

Preliminary 18-49 averages for the night: CBS, 3.1/9; Fox, 2.7/7; ABC, 2.6/7; NBC, 2.0/6; Univision, 1.5/4; CW, 1.3/3.

In total viewers: CBS, 11.5 million; ABC, 7.3 million; NBC, 7.0 million; Fox, 6.5 million; Univision, 4.0 million; CW, 2.7 million.






#4078 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 19, 2009 3:20 pm
Subject: Hollywood Movie Shoots Money Into Area - Red Dawn
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Updated: 8:32 PM Nov 18, 2009
Hollywood Movie Shoots Money Into Area
A remake of the 1980's classic Red Dawn is a boost for Grand Ledge and surrounding towns

Reporter: Lauren Zakalik
Email Address: lauren.zakalik@...

Posted: 6:51 PM Nov 18, 2009

Hollywood Movie Shoots Money Into Area
A remake of the 1980's classic Red Dawn is a boost for Grand Ledge and surrounding towns

To locals, Fitzgerald Park is simply a nice place to walk and relax. But for this Hollywood crew, the Grand Ledge landmark is everything they've been looking for in a set.

"It's beautiful," says Tripp Vinson, a producer on the remake of the 1980's classic Red Dawn. "It's really worked out for us."

Vinson says Grand Ledge beat out a handful of other cities in the U.S. and Canada for the movie shoot-- and for the benefits that come along with the 200-person-plus crew.

"They're staying at local hotels, they're eating at local restaurants and bars," Vinson says.

"Oh man, we sure can't complain," says Jenn Jehnsen, manager at Frank's Press Box in Delta Township. Nearly 100 members of the cast and crew, she says, have been coming into the restaurant.

"They've kept us busy on nights that are usually slower," she says. "We've appreciated the business."

From Frank's, to the Four Seasons Gift Store in Grand Ledge, the spin-off spending has been great-- and it should be. Grand Ledge has spent $3,000 on marketing itself to the movie industry; they hope it's paying off.

"In this economy, we need to diversify. We have a lot to offer in Grand Ledge. We have the ledges, the tressel," explains store owner Ken Black, who's also on the Grand Ledge DDA.

And even though Red Dawn is a big Hollywood production, much of the things and people you see on set are from right here in mid-Michigan.

"We use local hries in many areas: local vendors, security, even some cast," Vinson says.

Grand Ledge Economic Development head Mark Sullivan says he "absolutely" wants more movies to come to Grand Ledge.

"If we get enough of them here, it's going to be additional money into the community from the outside," he says.

"I want one a week!" Black says. "Mid-michigan has a lot to offer. We just need to sell it."

But according to the red dawn staff, they already have.
============================================
MGM is paying Eaton County $1,000 a day to use Fitzgerald Park. The crew should be here until Thursday, and the movie is set to open in September of next year. It stars actors Chris Hemsworth and Josh Peck.




Read Comments
Comments are posted from viewers like you and do not always reflect the views of this station.
Posted by: John Location: Lansing on Nov 19, 2009 at 01:20 AM

Hey, I have a great idea... Let's cancel the tax credits that have brought all this cool stuff and money into our state (virtually immediately, just as promised) and not have Michigan be showcased on film all over the world.
Posted by: AB Location: Lansing on Nov 18, 2009 at 08:22 PM

$1000.00 a DAY?? LOL, it cost me more to rent Hawk Hollow for our wedding! Who cut that deal? Anyhow, I guess when you look at all the additional revenue it's pretty sweet. But still...a grand, really??





#4077 From: "jup2_com" <jup2_com@...>
Date: Wed Nov 18, 2009 4:13 pm
Subject: THAT IMTA BLOG: Adrianne Palicki in Women in Trouble Now in Theaters!
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P.S. Women In Trouble will be released to DVD on March 15th 2010!!! =D> B-)


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#4076 From: "jup2_com" <jup2_com@...>
Date: Wed Nov 18, 2009 4:00 pm
Subject: Ausiello: 'Smallville' movie gets a title!
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Exclusive: 'Smallville' movie gets a title!


Categories: News, Smallville

500It’s official: Smallville’s upcoming two-hour Justice Society-centric “movie” is now an actual movie.

Sources confirm to me exclusively that The CW has jettisoned the separate titles that were initially assigned to each of the two episodes " “Society” and “Legends,” respectively " in favor of the singularly sensational (and far more marketable) Smallville: Absolute Justice.

What’s more, I hear the movie " which marks the debut of Michael Shanks as Hawkman (pictured) " will air as a seamless two-hour event with only one set of credits.

By the way, the air date for Smallville: Absolute Justice was recently changed from Jan. 29 to Feb. 5. Adjust your schedules accordingly.

PHOTO CREDIT: Jack Rowand/The CW







#4075 From: "jup2_com" <jup2_com@...>
Date: Wed Nov 18, 2009 3:54 pm
Subject: Sebastian Gutierrez Women in Trouble Interview
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Sebastian Gutierrez Women in Trouble Interview

Tuesday, November 17, 2009 4:00PM By Mali Elfman

sebastian gutierrez women in trouble

Last week I sat down with Sebastian Gutierrez the director behind the new film Women in Trouble, featuring several of Hollywood’s finest and up and coming actresses Carla Gugino, Emmanuelle Chriqui, Adrianne Palicki, Marley Shelton, and Connie Britton in some revealing outfits all acting their hearts out with Josh Brolin, Joseph Gordon-Levitt, and Simon Baker in toe. I recently sat down to a one on one interview with Sebastian to talk about how it doesn’t take a huge budget or all the Hollywood extras to make a great movie. He filled us in on the joys of independent filmmaking, his love of strong female characters, and what it takes to make a good independent film these days.

Check out our interview below…

As a man, do you ever find it ironic to be telling so many females’ stories from a female perspective?

Sebastian: I’ve always written with a woman protagonist, it’s just that they’re horror movies and that’s so not my sensibility. In Hollywood if you do something and it works then they hire you to do that again and again. After a while, I was like I cannot write another horror movie or have to describe another scene where the door opens with a creepy thuddish, wettish sound because that stuff is very execution dependent if it turns out good, but it’s very tricky to write. So this movie was a complete reaction to that. I just want to go back to the kind of stories that I really like which are stories about characters with humor and they’re sexy and they say something. This was an attempt at making a movie with friends with very little money, with very little time, just letting people act.

Do you write those types of roles because so few films have good female characters?

Sebastian: I don’t know why. I wish there was a real noble reason. I guess I’ve always felt that as characters you need to explain a lot less with a female [character] than you do with a male character because you can be a woman and be strong one second and cry the next second. And I don’t have to explain whether you’re wimpy or you’re gay, it’s like you are perfectly understood. If you’re a mother, to protect that child you will kill anyone and then the next second you’ll break down. From a narrative standpoint that’s fantastic. With a guy it’s much trickier to do that because a lot of the scripts that have been produced that I’ve written have been horror movies. Horror is the one genre where they’ll let you have a woman because from a totally sexist stand point they’ll go she’s a damsel in distress, she’s in trouble. But ironically it’s the only genre where the woman gets to play the part that usually goes to the guy and the boyfriend in the movie gets to do the one note thing that the girl usually does.

There’s some weird reactionary stuff going on. But this movie, what was so exciting was not just working with friends but seeing like… most of these actresses in mainstream stuff get stuck playing just the girl part and as we know in Hollywood movies, the girl can be the good girl or the bad girl, there’s no in between. I don’t know anybody like that. None of my friends who are women are like that. All my friends are sexy and smart and confident and conflicted. They have contradictions all over the place and that’s why they’re interesting. So, I thought let’s put all that in a movie. The movie ultimately, yes it’s about comedy but it’s about that. It’s about the way the women bond with each other that’s solely different from how men bond with each other.

With sex being the underlying theme?

Sebastian: Yeah, but then again I like sex.

A lot of people do.

Sebastian: A lot of people do, but it’s so much easier for people to see the movie and understand the movie than to explain the movie because everybody’s like “Is it sexy? is it campy?” is it this, is it that. You could be funny and sexy at the same time and not be piggish or exploitative and still be playful. Playful is good. It’s been really interesting with this movie. Women understand it perfectly. Men go, “It was weird dude, cause you know it was hot chicks and they were in lingerie but they were like saying stuff that was kind of a turn off, but it’s kind of cool cause I got into it,” and I’m like good! Thank God. At the same time you sense, from reporters, before they see the movie, just based on materials or what not the movie sounds like it’s going to be, kind of like the bad part of cartoon feminism that if the women are in lingerie, they’re being put down and obviously the male fantasies of porn stars. What’s funny is that none of the women in the film are defined by the jobs they do so, even if the person plays the porn star, it’s not about that. Luckily when people see it, they understand it.

You show that in your costumes, with the women running around in ass-less chaps and stuff like that. It’s just funny. It doesn’t look like they’re being exploited at all.

Sebastian: What was funny was that it was Emmanuelle that picked out that outfit, which cracked me up because how it’s written, she’s supposed to be this classy call girl and we’re in the wardrobe fitting and Denise, the costume designer, had that hanging on the rack and Emmanuelle was like, “Oh my God, I gotta try those on,” and I was like really?! it seems like a David Lee Roth outfit. She was supposed to be in a perfect cocktail black dress with gloves and being this much more La Femme Nikita version of the night out, so that was totally her. What’s funny was I tried not revealing the back of it till later in the story.

Women in Trouble: Pre-Sex

I was curious about that. You didn’t see it for so long.

Sebastian:You don’t see it for so long but you see her wear that outfit and then you’re like “Oh My God!” there" they are…ass-less chaps!

The way that she walked with them was so nonchalant. There’s something very beautiful about that.

Sebastian: That was her. I give full credit to Emmanuelle. She was very comfortable in those. If you read the script, it didn’t say anywhere.

Some of the monologues and some of the stories that you have could be seen as over the top. How do you walk the line of making them funny, but still get the audience feel something for the characters?

Sebastian: First of all thank you, because that’s exactly the tone of the movie. But I think it’s because I kind of think life is like that. Like a farse, but its serious to us. The kind of stories that I like and the kind of story that hopefully this is, is that I like over the top situations that are borderline ridiculous, but then the emotion is absolutely real because if not it becomes camp, or it becomes a wink-wink to the audience. I think that’s really cowardly, to say, “We don’t really mean this,” there’s an ironic distance. When people try to be cool, I disconnect from it. I see a movie like The Godfather, The Godfather works on many levels but mostly because it’s a freaking soap opera. You walk around the movie and go Guido did this, stupid brother… When’s the last movie that you remember people’s names? Hardly ever because everybody’s so worried about being cool.

So, you point out the obvious to the audience instead of going over their heads?

Sebastian: A movie like this where it’s not a plot driven movie, it’s a character movie all the way, it was really important to show how these women are real cause they seem like archetypes or stereotypes. There’s the stereotype of the dumb blond, but we’re all a lot more like the dumb blond than anybody gives credit to. My whole point with a character like that is, wouldn’t it be interesting if she was aware that she’s not so smart. All of a sudden your heart breaks and you go, “Oh my God, I’m like that,” and that I find, the real victory of the thing, that seems like a different way of telling a story.

women in trouble09 10 151 Sebastian Gutierrez Women in Trouble Interview

When you look at something like Paranormal Activity, does it make you wonder about the future of big budget movies in Hollywood?

Sebastian: Well, I think Hollywood is like the record industry before they destroyed themselves. Hollywood is set up right now to make, 100, 200 million dollar movies based on a book or franchise or superhero. Great. Then there’s going to be little movies but there’s going to be no middle, but that doesn’t need to be a depressing thing. People still want to see human stories. It’s inevitable, it’s happened, so we might as well make the best of it.

How challenging is it to get a movie like this off the ground? Does sex help sell it?

Sebastian: It’s interesting, I know what you’re asking. The short answer is sadly, I don’t think sex helps anymore. There is no sex in movies. Straight to video, erotic thriller movies, not that they make that many anymore but the only sex now exists on cable shows, Weeds, True Blood, there’s the only place there’s sex. It’s really strange. This movie was self-financed. This movie was literally made by me and a bunch of friends, ten people in our houses. So it was done almost as a student film. It was done literally [with] me writing these ten page segments with two characters and shooting each section in one day. So there was a hundred percent control and no money.

Can I ask what your budget was?

Sebastian: You know I can’t tell you because we’re still selling the movie. It’s just one of those ridiculous things because when you have those movies like El Mariachi, there music was made for $7,000 but then that story only comes out once Sony bought the movie and they pump in some money to fix the sound and they want to tell everybody how little it was.

Did filming multiple smaller stories make it easier for you?

Sebastian: Not necessarily. The origin of the story, I don’t know if it’s in the press notes somewhere, but there was a scene that I had written for another script that didn’t fit, years ago, and I just found this and I was like this scene is kind of a cool scene. I never did anything with it. It was like a ten page long scene between these two women getting ready together in front of a mirror, which then became a sequence in the movie. I thought I could probably get a couple video cameras and shoot this in one day and have a cool little short film. Then I thought I could write nine more sections like this and make a movie and interconnect the stories, which is pretty silly, it’s a pretty dumb idea, really, but that’s kind of what we did.

Why is that a dumb idea?

Sebastian:Well, because usually making a movie takes more than that, but the movie was made in sort of that way where if we had a ten person crew, two actors everyday, everybody gets paid 100 bucks a day, everybody gets paid the same, everybody owns part of the movie. I cook the food, my friend takes a picture, let’s go. That’s how the movie was made because we were only asking actors to come in for one day or two days, it’s much easier to get people to do that. Josh Brolin, in the middle of some Oscar campaign, he comes in for one day. So it really became, accidentally, a good way of making a movie. But it’s a very planned movie, it’s not improvised, it’s all very written.

Is there anything you would have changed?

Sebastian: It’s a little bit rough around the edges and I wish we had a little bit more money and we could’ve done certain things differently but the spirit of the thing is exactly what I meant and it seems so simple, but that is exponentially satisfying. There’s things in the story, without giving away sequences, but scenes that could have been just shock value, like there’s some big scene that Adrianne Palicki has that could’ve been just bad taste and shock value on the page and once we did it and really humanized it, we were like okay, good. Once we see the audience sort of laughing nervously going, “This is not really going where think it’s going, Oh my God, that is where it’s going!” But then it kind of switches and you kind of see the real person behind that and then it could be about any trauma, it’s a really cool thing because it’s not deep.

Further Reading:

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#4074 From: "jup2_com" <jup2_com@...>
Date: Wed Nov 18, 2009 2:58 pm
Subject: Red Dawn: Film Being Shot at Local Park
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Film Being Shot at Local Park

 Posted: Nov 17, 2009 10:21 AM





A major motion picture brings big bucks to mid-Michigan. Movie crews are in Grand Ledge filming a remake of the 1980's classic, "Red Dawn." The city is reaping the benefits of a big production. It's the movie that got Patrick Swayze his start, a 1984 war film about the Soviet Union invading the U.S., the same film that now has movie crews invading mid-Michigan.

Tripp Vinson, Red Dawn Producer:"This is a reboot. I'd say we're heavily influenced by the original,but we're trying to make something new as well."

Because unlike the old Red Dawn filmed in New Mexico, the new Red Dawn will be shot entirely in Michigan.

Tripp Vinson: "The state had great locations for us."

Including Fitzgerald Park in Grand Ledge serving as the woods of Spokane, Washington, the setting for nearly half the movie.

Tripp Vinson: "This location just worked out for us. It's really beautiful here and the elevation just worked out for us."

Even though we can't get on the set,just being there and looking around, it's easy to see what a big production it is, meaning big things for Grand Ledge.

Tripp Vinson: "we probably have a pretty big effect. Our crew is about 200 people and they all go to restaurants and go to bars, and go to movie theaters."

Dan Patton, Eaton County Parks Director: "We do know the company, they're staying local at hotels."

Plus, the parks director says they're paying Eaton County 1,000 dollars a day to take over the park, which is why he's hoping the Red Dawn remake will put Grand Ledge on the movie map.

Tripp Vinson: "That is our goal."

The movie is being produced by MGM with a forty million dollar budget. It's set for release November 24th of next year. Some of the actors include Jeffrey Dean Morgan, Adrianne Palicki, Josh Peck and the debut of Tom Cruise's son, Connor Cruise.

Film Being Shot at Local Park








#4073 From: "jup2_com" <jup2_com@...>
Date: Tue Nov 17, 2009 5:34 pm
Subject: Frmr WB Ent. Prez. Janollari to Jump to Cable - The Demise of Lost In Space
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This recent article on TVBizwire on former Entertainment President at The WB goes all the way back to Adrianne's 1st professional gig in acting - The John Woo Pilot for The WB - The Robinsons:Lost In Space. The man who Janollari replaced back in 2004 , Jordan Levin , was the principle backer and promoter within The WB for this $5 Million Dollar Pilot & when Jordan left the top spot at The WB - backing for the pilot went away too.#-o

Adrianne's Pilot work seem to always accompany transition at the top of the Network... Her Aquaman pilot for The WB also seemed a "Sure Thing" until the merger with UPN to become The CW followed by the series being dropped.

Not 100% bad though , her work in The WB's 2005 pilot "SUPERNATURAL" went fufilled as the  series is still going strong on The CW & Adrianne makes the occaassional Guest Appearance. B-)

Here's a little walk in the past... (:|




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TVBizwire

Former WB Entertainment President David Janollari in Talks to Jump to Cable

David Janollari, the former president of entertainment at The WB, is in talks to join a cable network, reports The Hollywood Reporter.

Janollari, most recently an independent producer, is in talks to join MTV as senior VP of West Coast development, sources said. MTV had no comment.

--Elizabeth Jensen


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June 15 , 2004 :


[06.15.04 - 12:00 AM]
JANOLLARI IN, LEVIN OUT AS THE WB REORGANIZES
By The Futon Critic Staff (TFC)

LOS ANGELES (thefutoncritic.com) -- The WB is set to undergo a major reorganization as the Frog announced this week Jordan Levin, the network's Chief Executive Officer, has stepped down from his post giving Garth Ancier, Chairman of The WB Television Network, sole oversight of The WB.

In addition, Ancier has named David Janollari the network's new President of Entertainment.

Both announcements were detailed via press release:

GARTH ANCIER TO HAVE SOLE LEADERSHIP OF THE WB

JORDAN LEVIN SEGUES TO WBTV PRODUCTION DEAL

PRESIDENT OF ENTERTAINMENT TO BE NAMED

In a reorganization of The WB's operational structure, Garth Ancier, Chairman of The WB Television Network, will have sole oversight of The WB, and will bring in a President of Entertainment, who will be in charge of primetime and Kids' WB! programming, it was announced today by Barry M. Meyer, Chairman & Chief Executive Officer, Warner Bros. Entertainment Inc.

In the new structure, Ancier will continue to report to Meyer; Bruce Rosenblum, Executive Vice President, Warner Bros. Television Group will continue to have day-to-day corporate responsibility for The WB. Jordan Levin, CEO of The WB, who equally shared running the Network with Ancier, has decided to shed his network executive duties, instead of modifying them and becoming President of Entertainment, and has signed an Independent Production deal with Warner Bros. Television.

Last September, Ancier and Levin split up the responsibilities of running the network, serving as Co-Chairman and Co-CEO, respectively, with network founder Jamie Kellner. Upon Kellner's official retirement from the Network in May, Ancier's title became Chairman and Levin's Chief Executive Officer, whereby the two co-managed The WB and reported directly to Meyer.

"This is a win-win for all of us," said Meyer. "Taking a non-traditional organizational route was a noble effort, but having a sole leader is simply more productive, efficient and effective. Garth and Jordan are both extraordinarily talented executives and superstars in their own right. We are delighted Jordan will become an independent producer for Warner Bros. Television. One cannot overstate Jordan's contribution to the success of The WB, and we look forward to him duplicating that success at WBTV. The WB, with its strong line-up, excellent new programs for the fall and Garth and his long-time, inimitable executive team at the helm, will continue to grow and thrive."

"I appreciate Barry's confidence in me and I'm looking forward to the challenge of building upon the great success The WB has already achieved," said Ancier. "Jordan's contributions to our success have been enormous. When the book is written he will be as important in the story as any single person. Jordan and I worked together at Disney and I brought him over to The WB as soon as I got here, which was the best decision I ever made. He leaves a legacy of quality and integrity to the product."

"We have a very senior staff at The WB, most of whom have worked here since day one and many of us go all the way back to the Fox launch in 1986, and we will continue to run like a well-oiled machine. The plan is to add a President of Entertainment, who will be my partner in leading the creative direction of the Network. There are some excellent candidates out there and we plan to announce our decision in the coming days."

"The WB has been my home for 10 years now and I have great respect for all my co-workers, the best group of executives in the industry," said Levin. "We've accomplished historic feats and have created a well-branded and defined network that is an important force in the industry. There were inevitable management hiccups that would occur as Jamie (Kellner) left and Barry (Meyer) and the studio officially took over. They had a management structure in mind that although would have allowed me to continue to drive the creative direction of the company, did not allow me the opportunities and responsibilities that I had already embraced with great enthusiasm.

"Working with our talented sales team, we just completed a very successful upfront, where not only was our development season applauded, but, as importantly, we hit our business plan for the upfront. We have successfully launched a more year-round strategy with the successful debut of 'Summerland,' and we have just completed a reinvigoration of our on-air marketing look. I enjoyed the process of all of these areas and I look forward to my next opportunity to work in all of these disciplines.

"So although the job of President of Entertainment at The WB is a great one, it is a job I have already done and my goals are to continue my career as both a creative and a business executive."

DAVID JANOLLARI NAMED PRESIDENT OF ENTERTAINMENT THE WB NETWORK

David Janollari has been named President of Entertainment for The WB Network, it was announced today by Garth Ancier, Chairman of The WB. As President of Entertainment, Janollari will be responsible for Primetime Program Development including Series, Movies and Specials; Primetime Current Programming and Scheduling as well as Kids WB! Programming. Janollari joins The WB from the award winning The Greenblatt Janollari Studio which he co-founded with producing partner Bob Greenblatt. The Greenblatt Janollari Studio presently has four primetime series on the air including the critically acclaimed "Six Feet Under" for HBO, "Eve" and "One on One" for UPN and "American Family" for PBS. "David's success making award-winning series that people talk about and tune in to combined with his stellar record as a creative executive at Warner Bros. Television and Fox, make him the perfect choice to lead our Entertainment division into The WB's second decade," said Ancier. "He brings great contacts, excellent taste and a proven track record, what more can you ask for." "I am thrilled and excited to join The WB," said Janollari. "I can't thank Garth, Barry (Meyer) and Bruce (Rosenblum) enough for their confidence in me, and I am looking forward to working with my new colleagues as well as many of my old friends from my Warner Bros. Television and Fox days." Janollari has an extensive background with Warner Bros. Television; having been instrumental in bringing "Friends" creators Marta Kauffman and David Crane to the Studio, while head of comedy development, under then WBTV President Leslie Moonves. Other series under his aegis at WBTV include the long-running hit "The Drew Carey Show," "Living Single" and "Suddenly Susan" as well as two of The WB's highest-rated comedies "The Jamie Foxx Show" and "The Wayans Bros." Janollari joins The WB from having been president of The Greenblatt Janollari Studio, an independent television production company currently producing four television series, including the twice Emmy-nominated series "Six Feet Under," winner of the 2001 Golden Globe for Best Drama Series, and 2003 recipient of the George Foster Peabody Award. He also executive produces UPN's sophomore comedy "Eve," nominated for four Teen Choice Awards, including Best Comedy Series, as well as "One on One," now in its fourth season on UPN. In addition, Janollari also produced "American Family," the first and only Latino drama on network television which recently concluded its airing on PBS. The Greenblatt Janollari Studio also produced the hit comedy "The Hughleys," which is in its second season in domestic syndication. Janollari and his producing partner Robert Greenblatt were honored at the Inaugural Producers Guild of America's "Celebration of Diversity" awards program for their ability to broaden the industry's horizons with the production of "Six Feet Under," and they were also awarded the 2004 Producer's Guild's Norman Felton Award for Excellence in Producing. Prior to his work as an executive at Warner Bros. Television, Janollari was the director of comedy development at the Fox Broadcasting Company.




Network developments: WB

200520042003
Pilots181520
Comedies10811
Dramas879
Owned/co-owned by net50%73%60%
2004-05 season: Biggest hit: The resurrection of "Gilmore Girls"
Biggest miss: "The Mountain"
View WB pilot charts





















http://lismemories.com/lis/new_series/rLIS.jpg
The cast of John Woo's 2004 Pilot "The Robinsons:Lost In Space" (Left to Right) Newcomer Adrianne Palicki, Mike Erwin, Jayne Brook, Brad Johnson, The Robot (voice by Dick Tufeld), Ryan Malgarini and Gil McKinney.


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Adrianne Palicki as Judy Robinson in "The Robinsons: Lost In Space".



Biography -
David Janollari :
Award-winning producer David Janollari was named President of Entertainment of The WB Network in June, 2004. Mr. Janollari is responsible for all facets of the network's programming efforts, including the development and current programming of all series, movies and specials, as well as the development and current programming of the #1-rated Kids WB! slate.

Mr. Janollari joins The WB from The Greenblatt Janollari Studio, an independent television production company, which he co-founded with producing partner Robert Greenblatt. Mr. Janollari served as Co-President of the company, which currently produces three television series, including "Six Feet Under," the acclaimed drama that received more Emmy nominations than any other series in 2002 and 2003. "Six Feet Under" has won seven Emmys, including the award for Best Casting for each of its first two seasons. The series was also the winner of the 2001 Golden Globe for Best Drama Series and the 2003 recipient of the George Foster Peabody Award. In addition, "Six Feet Under" has won several Screen Actors Guild Awards, including one for Best Ensemble Cast; a Television Critics Award and two GLADD Awards for Best Drama. Mr. Janollari and his producing partner, Mr. Greenblatt, were honored at the Producers Guild of America's "Celebration of Diversity" awards program for their ability to broaden the industry's horizons with the production of "Six Feet Under." In 2004, Mr. Janollari and Mr. Greenblatt received Golden Globe and Emmy Award nominations for "American Family," starring Edward James Olmos, Constance Marie and Esai Morales. The Latino drama recently concluded its second season on PBS. In addition, Mr. Janollari and Mr. Greenblatt were also awarded the 2004 Producer's Guild's Norman Felton Award for Excellence in Producing. The Greenblatt Janollari Studio is also producing a star-studded "Elvis" miniseries for CBS starring Jonathan Rhys-Meyers in the title role, Randy Quaid as Colonel Parker, "Charmed" star Rose McGowan as Ann-Margaret and Camryn Manheim as Gladys Presley.

Mr. Janollari also executive produced the UPN comedy "Eve," nominated for four Teen Choice Awards, including Best Comedy Series. He also executive produced the series "One on One" on UPN, which spawned midseason spinoff "Cuts," starring Shannon Elizabeth and Marques Houston. "One on One" won a SHINE Award for an episode about HIV testing. The Greenblatt Janollari Studio also produced the hit comedy "The Hughleys," starring one of the Original Kings of Comedy, D.L. Hughley. The series is in domestic syndication.

Mr. Janollari has a long and prosperous history with Warner Bros. Television and helped develop many of The WB Network's earliest hits. While he was head of comedy development, under then WBTV President Leslie Moonves, Mr. Janollari was also instrumental in bringing "Friends" creators Marta Kauffman and David Crane to the studio and developing that ground-breaking hit series. Other series under his aegis at WBTV include the long-running hit "The Drew Carey Show," "Living Single" and "Suddenly Susan," as well as two of The WB's highest-rated comedies "The Jamie Foxx Show" and "The Wayans Bros."

Mr. Janollari's cult pilot "Heat Vision and Jack," starring Jack Black and Ben Stiller, won a Silver Spire Award at the San Francisco Film Festival.

Prior to his work as an executive at Warner Bros. Television, Mr. Janollari was the Director of Comedy Development at the Fox Broadcasting Company for then President of Entertainment, Peter Chernin, and was a member of the comedy development team when the network launched "In Living Color," "The Simpsons" and "Herman's Head."

Mr. Janollari is a graduate of New York University, where he majored in film and television.


Dialogue: David Janollari

David Janollari

April 13, 2005


The Hollywood Reporter: How's development going?
David Janollari: I am wildly excited about how the casts have shaped up so far. I'm feeling cautiously optimistic that we have a really great group of very different shows.

THR: Is it important for this next batch of shows to be different?
Janollari: I think repetition and derivation is not a good recipe for success. I think we have to strive to find the next hit in different places that look and feel a little different than what has been offered on the television landscape thus far. We're trying a whole lot of different things, different genres, different in tones. ... On the drama front, we're trying a procedural ("Just Legal"), which I don't believe the network has ever had on the air, from Jerry Bruckheimer. But it's a procedural with a WB twist. It's got an 18-year-old protagonist who plays opposite Don Johnson, who (plays) a much more established, burnt-by-the system lawyer.

THR: The drama "Supernatural" also seems like a real departure.
Janollari: We're trying to put something on the air that is naturally scary, in keeping of the trend on the movie landscape, from "The Ring" to "The Grudge." Our young core audience has proven that they crave those movies, and we believe we can serve that to them week after week not dissimilar to how "Buffy (the Vampire Slayer)" and "Angel" filled that void week after week. It certainly worked for Fox with "X-Files" all those years. And the notion that we have a standing history of an audience responding to this genre is a great thing.

THR: You're also really stretching in comedy with "Nobody's Watching" and "Liquid Generation."
Janollari: We're trying things that are really innovative and form-breaking. "Watching" -- at the center it's a young buddy comedy that I liken to Wayne and Garth from "Wayne's World," but it takes the sitcom and reality form and it pokes fun at the state of both of them. ... "Liquid Generation" is a Flash animation show from a huge Web site on the Net. We're hoping to capitalize on that incredibly biting sense of humor with regard to pop culture that they've captured so well and bring it to a half-hour comedy form. I would also say that one of the things I strongly believe that the audience will respond to and crave is a sense of romanticism from dramas and comedies. On the drama side, we have "Pepper Dennis." We have Rebecca Romijn and Josh Hopkins with a great deal of romance and humor. We're trying "Halley's Comet" from David E. Kelley, which is "Felicity" meets "Ally McBeal" in medical school. It's really romantic and hopeful and I think perfectly hits the core demographic we've hit all these years.

THR: But you're also trying to broaden that demo, right?
Janollari: We want to broaden the perception that we're not just a teen destination. It's a mission of mine that adults 18-34, and more specifically adults 25-34, know we're a destination for them. One of the best ways to reach them is to put on content that speaks more directly to the lives they are living.

THR: But is there a risk in not putting on shows that speak to the core demo?
Janollari: I think you will see that "The Prince" is very much in the teen mold, but the difference is that it's set against the backdrop of upper-crust New York. I also think the Bruckheimer drama has a family element as well. That said, I believe teens historically watch upward. Adults won't necessarily watch downward to a teen environment. The best example of that is "Friends." There was never a teen on the show for 10 years, but it had one of the highest teen followings of any show in the last 10 years. We have "One Tree Hill," and it's a giant hit. There's no reason to replicate that.

THR: How many holes do you think you'll be filling in the fall?
Janollari: We will look at development and order for fall and midseason based on the quality of the shows and where we think they fit best on the schedule. We are really strong Monday, Tuesday, Wednesday and Friday. Obviously we are more challenged on Sunday and Thursday, so I'm going to look to get aggressive on those two nights. Monday through Friday in particular would be nice to sew up in terms of flow. We're going to look very carefully at what are the best counterprogramming moves on both of those nights. Obviously, we are excited about the potential of (midseason comedy) "Living With Fran" and hope that will fit into our Friday night lineup.








#4072 From: "jup2_com" <jup2_com@...>
Date: Tue Nov 17, 2009 4:48 pm
Subject: A Ticklish Situation - Women in Trouble
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"And Elektra’s co-star Holly (Adrianne Palicki) goes from dumb-blonde cliché to uncomfortable in the course of one squirmy, hilarious monologue..."

A Ticklish Situation

Sebastian Gutierrez manages to stay out of trouble in his 10-woman tale of sex and deceit

By Mark Peikert

Monday, November 16,2009


Women in Trouble

Directed by Sebastian Gutierrez

Runtime: 92 minutes


The 10 women"mothers, porn stars, hookers, bartenders,stewardesses, shrinks"of Sebastian Gutierrez’s interconnecting stories in Women in Trouble may not get into very inventive scrapes considering the title and the cast, but a lucky alchemy of writer and cast turns what could have been an indie bore into something surprisingly uproarious. Snagging the industry’s strongest supporting actresses and then giving them star turns was a canny casting strategy, one that vastly improves Gutierrez’s frequently recycled stories.


Take Carla Gugino, for example. A dynamite stage actress,she’s been relegated to mediocre roles in movies for much of her career (save a stellar turn in the underrated Snake Eyes).But as Elektra Luxx, a porn star who has just discovered that while she may not have AIDs, she is definitely suffering from the STD called childbirth, she’s mesmerizing, by turns sexy, wise, and weary. Plastered in thick makeup and crowned by a platinum cascade of fake curls, Gugino embraces and then shatters the gold-hearted hooker stereotype within her first 10 minutes on screen.


The rest of the cast all take their turns exploding female archetypes, with varying levels of success. Sarah Clarke can do very little as a cheated-on therapist, while one longs for more of Marley Shelton’s naughty stewardess, who tries to become a member of the mile high club with a rock star(Josh Brolin) with disastrous results. And Elektra’s co-star Holly (Adrianne Palicki) goes from dumb-blonde cliché to uncomfortable in the course of one squirmy, hilarious monologue about why she can’t perform cuninlingus without vomiting. 


Gutierrez’s knack for detailed back stories like Holly’s are one of the ways he manages to keep us interested in even his most thread bare plot lines (one has been around since Edith Wharton). The title may promise trouble and then deliver the usual array of death, adultery, gangsters, and broken elevators, but the movie is funny in ways that are becoming increasingly, frustratingly atypical. These women, confused and rattled and down right ditzy as they may sometimes be, aren’t the two-dimensional wives,caretakers, or whores that most ensemble films offer actresses. They may all end up in their underwear at some point or another, but it’s the men in their lives who meet the most violent and disastrous fates. Smart and sexy in equal measure, Gutierrez’s women (and his Women)manage to elude real trouble by remaining grounded, even as their lives veer into the dizzying heights of comic absurdity.


Comments

 
Posted at 11/17/2009 
 
You spelled cunnilingus incorrectly. ;) I want to see this flick but am not in NY or LA. Will it hit other cities? Make the DVD route at some point?? Hope so.

 

Posted at 11/16/2009 
 
Why does every other review in the NY PRESS have to be by an Armond White knockoff? If you want an Armond White opinion, stop giving us these poor men's Armond Whites. It's ghastly how every single sentence yearns to have the quality and insight of Armond White, but you are just not Armond White. Stop using his style of writing, syntax, and word choice, because all of these faux Whites reek of his disposition. What's wrong NY PRESS? You don't have enough money to pay for Armond to review these other movies as well? My goodness, every time I read a review of a film in here that is not by Armond, I immediately realize it because of how poorly these other writers try so hard to emulate. Please, get rid of these other writers and just have Armond be the sole writer for your newspaper. It will certainly increase your status and reputation, otherwise, keep devaluing your paper and the level of criticism with pseudo reviews such as this.

 






#4071 From: "jup2_com" <jup2_com@...>
Date: Tue Nov 17, 2009 4:38 pm
Subject: MGM’s Fire Sale: Absolutely Everything Must Go! Except Red Dawn
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MGM’s Fire Sale: Absolutely Everything Must Go!

MGM


Call it another casualty of the Great Recession, folks, but MGM is weighing its options in the face of horrendous losses.

As much as we’d all like to blame their lone theatrical release for the year (Fame!  Nobody cared about it…nobody watched this crap!  Fame!  Go ahead, sing along! It’s fun.)  for being the millstone around MGM’s neck, as it turns out, it was weak DVD sales that brought down the beast.  MGM had a monster library of titles, weighing in at over four thousand titles, and now it’s all up for bids.  Also up for sale is the James Bond franchise, and even the roaring lion logo.

Interestingly, though, it may not be as up for sale as we think"seems that MGM’s creditors are taking a pass on collection action for a while, and meanwhile, MGM’s pumping all the cash it can scrounge into its upcoming movies Red Dawn, the Hot Tub Time Machine and The Zookeeper.

Oh, sure, they’re pretty fair releases…a remake and two good comedies featuring solid comedy actors…but enough to save the studio?  Scuse my lack of conviction on that one.

But only time will tell if MGM will still be selling off all its assets or if this year will turn it around.








#4070 From: "jup2_com" <jup2_com@...>
Date: Tue Nov 17, 2009 4:24 pm
Subject: Sony having record year overseas
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Hopefully Sony's current good fortune will fall upon subsidiary Screen Gems & Adrianne's flick "Legion" in January! B-)

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Posted: Mon., Nov. 16, 2009, 4:34pm PT

Sony having record year overseas

'2012,' 'This Is It' spur box office to $1.63 billion

By PAMELA MCCLINTOCK



'2012'
'2012' grossed $165.2 million in its international debut, making it the fifth biggest foreign opening ever.

'Angels and Demons'
'Angels and Demons' helped Sony log its best box office year overseas.


Sony is enjoying its best year ever at the international box office, a record achieved with the mammoth global opening of Roland Emmerich's disaster pic "2012."

Studio said Monday that its foreign ticket sales are now north of $1.63 billion, besting the record set by the studio in 2006.

"2012" grossed $165.2 million in its international debut, making it the fifth biggest foreign opening ever. It's also the biggest debut ever for a non-sequel.

Other international highlights for Sony include "Michael Jackson's This Is It," which has grossed $155.2 million so far, "Angels and Demons" with $352 million and "Terminator Salvation," which grossed $220.6 million in Sony territories.

For the year, 20th Century Fox is No. 1 in terms of foreign box office receipts, at $1.79 billion.

Domestically, "2012" opened to $65.2 million for a dazzling worldwide take of $230.4 million. The domestic number was higher than Sunday's estimate by the studio.

Elsewhere on the top 10 chart, Lionsgate's "Precious: Based on the Novel 'Push' by Sapphire" and Overture Films' "The Men Who Stare at Goats" switched positions once final weekend numbers were issued.

"Precious" narrowly edged out "Goats" for No. 3, grossing $5.87 million to $5.86 million for "Goats."





#4069 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 9:12 pm
Subject: Strong AFM sales for D'Amico's Myriad
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Strong AFM sales for D'Amico's Myriad




Myriad chief Kirk D’Amico gave the Sebastian Gutierrez ensemble comedy Women In Trouble its first major market screening. Carla Gugino stars alongside Emmanuel Chriqui, Adrianne Palicki, Connie Britton, Marley Shelton and Simon Baker, and rights went to Swen (Latin America), VC Films (Portugal), VAPT (Czech Republic), Studio Solutions (Thailand and Taiwan), Myndform (Iceland), Programs 4 Media (Romania) and VideoVision (South Africa).





#4068 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 5:16 pm
Subject: MGM to be Auctioned Off This Year
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MGM to be Auctioned Off This Year


Posted: November 12th, 2009 by WorstPreviews.com Staff

MGM to be Auctioned Off This Year
We already know that both "James Bond 23" and "The Hobbit" films are moving forward, but may find themselves at a new home, since MGM is expected to be auctioned off within the next few weeks.

It is expected that someone (possibly Time Warner) will purchase MGM's library of 4,000 titles and someone else will buy the actual company, which has "Hot Tub Time Machine," "The Zookeeper" and the "Red Dawn" remake set for release next year.

The speculation is that combined assets of MGM may bring in only $1.5 billion in today's market, since most of the company's big titles are considered geriatric. If the James Bond franchise becomes part of the library, that would definitely increase the value of it.

This auction is a big hit for investors, who purchased the company for $5 billion only five years ago. Now, MGM is $3.7 billion in debt. Stay tuned.




#4067 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 3:58 pm
Subject: ‘Friday Night Lights’ scores another TD
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Tufts Daily

‘Friday Night Lights’ scores another TD

TV Review | 4.5 out of 5 Stars

By Ben Phelps

Published: Wednesday, November 11, 2009

Updated: Wednesday, November 11, 2009


Some shows need to know when to quit. “CSI,” while it has seen some creative resurgence this season, has suffered some hard blows since the departure of three of its main cast members. “Law & Order,” once a shining beacon on the NBC schedule, is now barely pulling its weight on Friday nights after countless casting coups.

But then there is “Friday Night Lights.” Set in the fictional small town of Dillon, Texas, the show revolves around the world of high school football. This setting has forced the writers to deal with the inevitable graduations and exits of beloved characters. A lesser show would fumble those losses, lose creative steam and make viewers yearn for a return to the glory days. “Friday Night Lights,” though, carefully executes its send-off arcs and then introduces new characters who are every bit as intriguing and likeable as the old ones.

Last season ended with the ousting of Eric Taylor (Kyle Chandler) as head coach of the Dillon Panthers, and his instatement as coach of the Lions of the newly redistricted East Dillon High. Lyla Garrity (Minka Kelly), Tyra Collette (Adrianne Palicki) and, it seemed, Tim Riggins (Taylor Kitsch) were off to college. All the pieces were in place for the end of the show, and it looked like its third season would be its last. But then DIRECTV stepped in, agreeing to co-finance the ratings-challenged masterpiece for not one but two more 13-episode seasons.

This season, the fourth, “Friday Night Lights” picks up right where it left off. Coach Taylor is stuck at East Dillon, where the locker room has raccoons living in it and the field is a hundred yards of dead grass " a far cry from the facilities of his former team. His wife, Tami (Connie Britton), is still the principal at West Dillon where she is taking heat from parents angry about the redistricting.

Their daughter, Julie (Aimee Teegarden), is now a senior attending East Dillon. Former Panthers Matt Saracen (Zach Gilford) and Riggins have also stuck around, foregoing college for personal reasons " for the former, girlfriend Julie and his grandmother; for the latter, a job and no interest in academics.

These returning faces are all very welcome fan favorites, but the new school setting allows for some interesting new characters. Vince Howard (Michael B. Jordan), one step away from juvenile detention, joins the team through a “Cops and Jocks” program. Luke Cafferty (Matt Lauria) is a West Dillon star forced to move to Lions territory when Tami finds he has been lying about his address. And Jess Merriweather (Jurnee Smollett) and Becky Sproles (Madison Burge) seem to be the new love interests, or at least friends, of Landry Clarke (Jesse Plemons) and Riggins, respectively.

In the first two episodes, everything works.. Read More Here! 












#4066 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 3:37 pm
Subject: WIT both a quirky comedy and an oddly sweet, offbeat drama struggling to get out
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"Adrianne Palicki -- another FNL alumnus -- has an endearing doofiness.  She plays the up-and-coming actress struggling to overcome her issues with cunnilingus and an adolescent experience with the randy family dog."


November 12, 2009

NEW TODAY: Women in Trouble has both aquirky comedy and an oddly sweet, offbeat drama struggling to get out. 

As is not uncommon in these sorts of cases, neither emerges fullyformed, resulting in a vague sense of disappointment on two counts.


 

Women in Trouble has both a quirky comedy and an oddly sweet, offbeat drama struggling to get out.  As is not uncommon in these sorts of cases, neither emerges fully formed, resulting in a vague sense of disappointment on two counts. 

    That the humor is far from hilarious is not as awkward a situation as it might be.  Writer/director Sebastian Gutierrez (Snakes on a Plane, Gothika, The Eye) breezes right along rather than linger as if guffaws are assured.      On the dramatic end, the film veers dangerously close to taking itself too seriously, a less forgivable offense.  Structured with Crash-like connectivity, the story follows a pair of adult film actresses, a married therapist couple, and two sisters and their teenaged daughter/niece -- who believes she’s a witch -- as they meet, interact and move forward with their lives.

height: 300px;
    Elektra Luxx (Carla Gugino), veteran porn star and model for a top-selling replica vagina, finds herself at a crossroads after learning that she’s pregnant.  Leaving the doctor’s office, she is trapped in an elevator with Doris (Connie Britton), who is troubled over her complicated relationship with her sister as well as the longstanding secret they share. 

    The sister (Caitlin Keats), meanwhile, is carrying on an affair with her therapist’s husband (Simon Baker).  Elektra’s occasional co-star Holly Rocket (Adrianne Palicki) is assisting her escort friend Bambi (Emmanuelle Chriqui) on a job at a shady client’s villa next door to the therapists’ home, and they bump into the devastated wife (Sarah Clarke) as she storms out after discovering her husband’s infidelity. 

    Young Charlotte (Isabella Gutierrez) is Doris’ niece (or is she?), who smokes non-existent cigarettes and shares a therapist with her mother (or does she?).  Though she insists she sees ghosts, it would appear that Charlotte might actually be more grounded than many of the adults who she encounters during this complicated day.

    A diverse cast of familiar faces delivers game, personable performances across the board, but the material is just a step or two behind.  Gutierrez is clearly trying for a spirit of Almodovaran high jinks, with an accompanying side of pathos, but he lacks the Spaniard’s deft touch and genuine daring. 

    In less capable hands, however, this might have broken down into less appealing sophomoric shenanigans.  Some rock & roll inflected graphics punctuate the film, contributing a certain anarchic tone, but not especially adding anything to the proceedings.

    Gugino (Watchmen, HBO’s Entourage) is an actress sorely in need of roles that better showcase her dramatic depth and comic flair.  Here she lends an undeniable earthiness to the triple-X star and sets the tone for the film’s ambitious, if not successful, mix. 

    As the coach’s wife in Friday Night Lights, Connie Britton has a very steady demeanor, which is carried over into Trouble.  However, that steadiness is clearly fraying, as she deals with her murky family situation. 

In addition to the commendable length of her gams, Adrianne Palicki -- another FNL alumnus -- has an endearing doofiness.  She plays the up-and-coming actress struggling to overcome her issues with cunnilingus and an adolescent experience with the randy family dog.  Josh Brolin has a bit part as a debauched British rocker who engages in a dangerous bit of Mile High Club activity.

    There’s a lingering, mixed sentiment after viewing the short post-credit scene which features Joseph Gordon-Levitt as a porn industry blogger interviewing Elektra and Holly.  A self-assured, unhinged comic impulse marks this brief segment, throwing the film’s overall dysfunction into an additionally unflattering light.  Consequently, one walks away from Women smiling, but not forgetting all the troubles. ★★½☆☆☆ -- Alex Roberts

    Women in Trouble opens in limited release tomorrow (Nov. 13).




#4065 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 3:18 pm
Subject: Women In Trouble Q&A's at ArcLight Hollywood!
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Women In Trouble Q&A's!

The following Q&A's will be at ArcLight Hollywood:



Friday, November 13th at 7:30 PM:

Q&A with Writer/ Director Sebastian Gutierrez and Marley Shelton



Saturday, November 14th at 7:30 PM:


Q&A with Writer/Director Sebastian Gutierrez as well as Simon Baker and Carla Gugino



#4063 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 2:59 pm
Subject: ‘Friday Night Lights’ Actors on the Big Screen
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‘Friday Night Lights’ Actors on the Big Screen

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I don’t often post about movies here, but I thought it was worth making an exception for some much loved Friday Night Lights actors.

This Friday, Nov. 13, brings the limited release of two new films featuring Connie Britton, Adrianne Palicki and Zach Gilford. If you’re in Los Angeles, you even have the chance to see one of those actors in person.

Women In Trouble, written and directed by Sebastian Gutierrez, is a series of vignette-like stories following ten different women during one day. It stars a bevy of familiar TV faces, including Britton, Palicki, Carla Gugino (Out of Sight), Marley Shelton (The Eleventh Hour), Cameron Richardson (Harper’s Island), Garcelle Beauvais (Eyes), Emmanuelle Chriqui (Entourage), Sarah Clarke (24) and Simon Baker (The Mentalist), in addition to current indie favorite Joseph Gordon-Levitt and Josh Brolin.

The Arclight Theater in Hollywood will host Q&As following the 7:30 p.m. shows this Friday, Nov. 13, and Saturday, Nov. 14. Gutierrez and Shelton will be on hand Friday, while Gugino and Baker will join Gutierrez on Saturday.

Also opening this Friday in LA and New York is Gilford’s new film. He stars alongside Emmy Rossum, Ashley Springer, Ana Gasteyer, Alan Cumming and Sandra Bernhard in director Adam Salky’s Dare. The film centers around three high school teenagers who form a complicated relationship.

Gilford and Salky will participate in a Q&A after the 7:45 p.m. screening at the Laemmle Sunset 5 theater this Friday. Salky will also do a Q&A after the 7:45 p.m. show on Saturday.

Check out trailers for both films  behind the cut. And don’t forget, the Paley Center is hosting a Parks and Recreation panel this Saturday, as well. It’s going to be a busy night.






#4062 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 2:48 pm
Subject: Creating the Women in Trouble
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Creating the Women in Trouble

Submitted by Melissa Molina

November 11, 2009 " 8:58 am
One Comment

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Adrianne Palicki and Director Sebastian Gutierrez

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Director Sebastian Gutierrez


When you first discover a film surrounded by a mainly female cast, would you automatically think that it was written and directed by a man? Would you raise an eyebrow even more if you knew he was one of the writers on the 2006 film Snakes on a Plane? Those thoughts immediately came to this reporter’s head when I first got introduced to the film Women in Trouble. The wonderful thing, after watching the film, was later on catching up with director and writer Sebastian Gutierrez. The director was able to let me pick his brain for a moment on what sort of idea blossomed into this feature length picture.

Although he has more writing credits to his name than directing, his newest creation, Women in Trouble and it’s sequels have given him more power to bend the series to his will. However, his fascination with topic of women merely stemmed from his own family life more than anything. Gutierrez goes off about,”…growing up in a house full of women. Lovely, neurotic, crazy women who are running around always in a rush,” being his key source of inspiration for writing the script. That further explains his interest in the exact locales the ten women are put into throughout their situations within the one day the film is set in.

“I was interested in those private moments that we don’t usually see. In movies we usually cut away when we get to that point. Now they get up and go to the bathroom, what are they talking about? What’s the secret that they’re sharing?” Although Gutierrez appears to make a trip to the restroom sound like a secret club ritual, there is that point where we are never completely satisfied with our hunger for knowing more about the opposite sex.

“I’ve always been fascinated by women, you know. They go to the bathroom together, all the time, and they do all of these things together that men don’t do. I always wonder what’s happening there.” Gutierrez definitely does wonder, as some of the women get in hairy situations, like being trapped in an elevator or dealing with infidelity. Throwing them into these difficult situations would clearly bring out the most emotionally from each actress, but also showing the curiosity about the nature of women from his viewpoint. “I find that women have emotions much more accessible than men. So, in a story like this, for them to go from zero to a hundred pretty fast is a very useful thing.”

The overall fascination and wonder that Sebastian Gutierrez ended up turning into his own knowledge once he sat down and created Women in Trouble. Now the director is already done with initial filming of the sequel Elektra Luxx and is in the middle of pre-production of the third feature in the series entitled Women in Ecstasy. One thing is for certain, Gutierrez does seem to know what he’s talking about when it comes to women, and you can see that in limited release on the big screen this Friday, November 13th.









#4061 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 2:42 pm
Subject: Win An Autographed ‘Women In Trouble’ Poster!
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Win An Autographed Women In Trouble Poster!

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Women in Trouble, the Sebastian Gutierrez comedy starring Carla Gugino, Connie Britton, Adrianne Palicki, Emmanuelle Chriqui, Simon Baker, Josh Brolin, Marley Shelton and Joseph Gordon-Levitt hit theaters on November 13th, 2009.

The film tells the tale of a pregnant porn star, a couple of call girls, a scorned psychiatrist, a teenage goth, a flight attendant with a crush on a famous passenger… the troubles of this cluster of LA women couldn’t be more different, but on one crazy day feminine compassion will alter all of their lives. Devilish humor, razor-sharp scripting, and a knockout ensemble of talented actresses (including Carla Gugino, Connie Britton, and Marley Shelton) turn Trouble into pure pleasure.

To celebrate the release of the film, Icon Vs. Icon is offering two lucky readers an opportunity to score an autographed ‘Women In Trouble’ poster from the film!

THE PRIZE:
Two lucky winners will get a signed by Carla Gugino and director Sebastian Gutierrez.

HOW TO ENTER:
To enter send an email to contest@... with “Women In Trouble!” in the subject line. Be sure to include your name, age, address, telephone number. In addition to your contact information, tell us who your favorite actor is from the ensemble cast and why they top your list! It’s that easy!

DETAILS:
All entries must be received before 11:59 p.m. EST on November 29th, 2009. Limit one (1) entry per username and person and per email address for the duration of the Entry Period. Multiple entries received from any username or person or e-mail address will be void. Entries generated by script, macro or other automated means or which subvert the entry process are void.











#4060 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 2:27 pm
Subject: OT: Making Detroit a tech hub - One CEO's vision
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Making Detroit a tech hub - One CEO's vision

Online-mortgage mogul Dan Gilbert wants to spark a revival by moving his headquarters and 1,700 workers to the heart of the city.


By Laura Berman, contributor

dan_gilbert_2.jpg
Dan Gilbert, founder and CEO of Quicken Loans



(Fortune magazine) -- It is noon in downtown Detroit, a glorious autumn day in the nexus of the city's business district. A large crowd of people stride up the street toward a sleek, glass-walled tower in the Campus Martius complex.

Steps away, office workers lounge at café tables in a plaza, eating and chatting beside a fountain and a Civil War-era statue. A row of historic storefronts beckons shoppers. On the roof of the Lafayette Building at the corner, two trees stand, as if in a garden, their leaves a seasonal gold.

Only as you draw close do you see that the milling crowd belongs to a movie production: a studio remake of "Red Dawn," lured here by generous incentives from the state of Michigan. Most of the renovated Merchants Row storefronts have yet to find tenants. The rooftop trees, growing wild 14 stories up, are real but doomed, as demolition crews gouge out chunks of the crumbling building, proceeding with a teardown.

This is Detroit 2009, where announcements of a renaissance can be as illusory as an army of movie extras. Despite billions in public and private investment over the past 15 years -- including two new stadiums, a river walk, three new casinos, thousands of new hotel rooms and loft and apartment units -- downtown Detroit may be the quietest major city in America.

The GM Renaissance Center is emptying out; the 47-story Penobscot Building, once a throbbing hub, is in receivership; and the stately Comerica building is only a branch office since the banking company moved its headquarters to Dallas in 2007 after 158 years in Detroit. A Detroit News report recently identified 48 empty buildings downtown of 10,000 square feet or more.

This year the remaining semblance of a local economy was battered to a surreal degree. The Detroit school system went into receivership, the unemployment rate hit 28.9% in the city, and two of the Detroit Three automakers filed for bankruptcy. Could the climate get any worse for doing business here?

dan_gilbert.03.jpg
Gilbert stands in deserted downtown Detroit on a weekend. Workdays aren't much busier.


"Pick any point in time -- it's about as bad as you can get right now. There's no new tenant activity," says Cameron McCausland, director of brokerage service for Colliers International, based in the city's suburbs.

Even the R-word seems hexed. Renaissance Detroit, a civic group of business leaders, has abandoned the urban theme, renaming itself Business Leaders for Michigan.

Part of Detroit business tradition, however, almost as much as the epic decline, is the periodic emergence of a square-jawed, impatient entrepreneur who believes he can spark a turnaround by force of will.

The newest is Dan Gilbert, 47, founder and CEO of the online mortgage company Quicken Loans, who announced in July his decision to uproot 1,700 employees from a low-slung headquarters in suburban Livonia and plant them next summer in the glass-walled tower at One Campus Martius, in the barely thumping heart of the city. They'll occupy four floors of the Compuware headquarters building, where they'll share use of a preschool, fitness center, and cafeteria.

Gilbert has made a concerted effort to get his suburban employees enthused about the move, including field trips to the city, where some workers toured lofts and apartments.

"The reality is better than I thought," says Kristin Broadley, 35, a Quicken Loans manager who plans to move downtown rather than commute. "The possibility of living in an urban area is quite exciting."

The $400 million Compuware tower, opened in 2003, is the legacy of another pioneer, Peter Karmanos, 66, the founder and CEO of the business-software maker. It was Karmanos who first persuaded Gilbert to seriously consider moving, and whose conviction rubbed off on him. "I have to believe that, objectively, it's the right thing to do," says Gilbert.

He knows that his march into Detroit won't be a success unless people follow, not just for sentimental or quixotic reasons, but because it makes good business sense. Right now a primary selling point is cheap rents: office space at $18 a square foot, vs. $32 in downtown Chicago, often with the first year free on a five-year lease.

"It's the opportunity to get in low and sell high," says Gilbert. "It's an untapped market from an intellectual standpoint, and from a physical standpoint there are great buildings. The idea is to get to the tipping point where companies start believing that they can't afford not to be in Detroit."

His intention is to recruit a flock of innovative, edgy companies into the Campus Martius area. The fact that Gilbert and Karmanos are onto the same notion has created energy, a whiff of hope. "When they move, you start thinking, 'What do they know that I don't know?' " says Rich Homberg, president of Detroit Public Television. The station, which relocated to exurban Wixom, now plans to open a new studio in Detroit.

For self-made Detroit moguls, there are two important steps toward becoming a local legend. One is owning a sports team, even if it's not necessarily local. Gilbert owns the NBA's Cleveland Cavaliers, and Karmanos, the NHL's Carolina Hurricanes. Mike and Marian Ilitch, the founders of Little Caesar's pizza, own the Tigers and the Red Wings.

The other step is committing resources to downtown revitalization, a sign of civic gravitas and even machismo: It's not for the faint of heart.

"I think there's a mindset that there's civic responsibility to do it," says Peter Cummings, a real estate developer who served as chairman of the Detroit Symphony Orchestra. What makes it an Olympian task, he says, is the cycle of "encouraging signs followed by further deterioration and disappointment. You have to have a passion for it, because you can get a better return on your time and your financial capital elsewhere."

Ever since Henry Ford II staked out the territory, leading Ford Motor Co. (F, Fortune 500) to build the Renaissance Center on Detroit River frontage in the 1970s, Detroit's challenge has exhausted and disappointed investors. In October 2008, Cleveland-based developer John Ferchill triumphantly reopened the historic, 455-room Westin Book Cadillac Detroit hotel after a $200 million renovation, just in time for the financial crisis.

"I like to say that the country shut down when the hotel opened," says Ferchill, who welcomes the Quicken Loan arrival as critical to the downtown's survival. "I really believe it's as significant a move as anything you could possibly do."

It's also characteristic of Gilbert, a driven, charismatic personality who won notoriety at Michigan State for his part in an illegal sports betting ring, for which he paid a fine and did community service. He became a legit entrepreneur when he joined with his younger brother Gary and a friend, Lindsay Gross, to start Rock Financial in 1985 with just $5,000.

"We were 23, and we barely knew what a mortgage was," says Gross. Dan was the driving innovator. "He'd say, 'Why are we going through a middleman, the realtors, to get to the customer? Why not get to the clients first?'"

So the company started 1-800 call centers to expand nationally and later converted them to web centers in 1998. Voilà! A sizzling tech company was born. Seeking to expand its Quicken brand of software, Intuit (INTU) bought Rock Financial in 1999, renaming it Quicken Loans, for $532 million in stock. The marriage ended in 2002 when Gilbert and an investor group bought back the company for $64 million, retaining the Quicken name.

When Gilbert hatched his plan to move downtown two years ago, it was an even grander scheme. "This is more than a project for me. It's a movement," Gilbert said at the time, unveiling plans to build his own office tower. He was then eyeing the longprepped site that last housed Detroit's premier department store, Hudson's.

Shortly thereafter the mortgage meltdown kicked in, rattling Quicken's bottom line. The company laid off 250 employees in 2008 but adjusted, picking up market share as other mortgage lenders disappeared.

The company is known for its hypercompetitive culture. While it ranked this year as one of Fortune's 100 Best Companies to Work For, it is fighting two class-action lawsuits by hundreds of former employees who claim they were denied overtime pay. The company contends their jobs didn't qualify for it.

Gilbert's vision for Detroit is to reweave the social fabric of business. He wants to attract a hub of tech companies, a cluster of creative minds. It will start with just one building: Compuware's 2,300 workers and Quicken's 1,700 will fill the tower at One Campus Martius almost to capacity. "My point is that if you go to Silicon Valley or Boston or Chicago, people are close together, eating and bumping into each other, drinking coffee, and literally creating value," Gilbert says.

Detroit's 139 square miles, and its endless suburbs, pose a geographical obstacle to human connection. That's what needs to be reversed. Gilbert sees young employees -- the average Quicken worker is 30 -- eager to live in urban areas.

Without a viable downtown, companies like his won't be able to attract smart, educated people. "We're going to bring more companies. That's my goal. I want people to ultimately think Detroit is a great investment, that young people want to be there, living, playing, and working."

The job of linking up a disconnected city has been assigned to Matthew Cullen, the president of Rock Ventures, a company that coordinates Gilbert's holdings. Gilbert hired Cullen from GM, where the executive engineered the automaker's 1996 purchase of and move to the Renaissance Center.

Among Cullen's projects is M1 Rail, a private light-rail project that would bridge the currently forbidding three-mile stretch between Detroit's downtown hub and the midtown area anchored by Wayne State University and the city's first-class Detroit Institute of Arts.

Gilbert acknowledges the long stall in Detroit's revival but blames poor execution. He cites the RenCen, whose towering mass looms at the eastern edge of downtown, both isolated and daunting for visitors to navigate.

Even the city's riverfront was underused and wasted until it was officially reclaimed and opened in 2008 as a walkable, landscaped, three-mile-long park. "You can't just do it 95% right," Gilbert says of previous turnaround projects. "It has to be 100%."

Gilbert has a willingness to play hardball -- and a disdain for inaction and bureaucracy that's a rebuff to Detroit's old automotive corporate culture. You could argue that GM's bankruptcy, and other Detroit disasters, punctured the city's defensive resistance to change.

Dave Bing, the NBA Hall of Famer who is now Detroit's mayor, is challenging once-sacrosanct union rules and benefits. The city's urban-farming advocates include John Hantz, a financial services entrepreneur seeking to rezone vast acreage for commercial crops.

Dan Gilbert, for his part, has always had visions of doing big things. In his dreams for Detroit, he just needs a little more company.

Detroit: The Innovators
The Motor City needs new industries. These 7 entrepreneurs are bringing tech, medical research and design jobs to the Detroit metro area.


Laura Berman is a columnist on local and national affairs for the Detroit News. To top of page










#4059 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 2:18 pm
Subject: Ask Ausiello: Chuck, Smallville, Ugly Betty & Friday Night Lights
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Ask Ausiello: Chuck, Smallville, Ugly Betty & Friday Night Lights

November 11, 2009



Question: Please tell me you have some Chuck scoop. "Jake
Ausiello:
I have some Chuck scoop. In episode 10, Casey does something bad. REALLY bad. Could-cost-him-his-job bad. And it’s connected to this.

Question: What’s the latest word on Ugly Betty moving to Wednesdays? "Alec
Ausiello:
All signs point to… it not happening. ABC insiders tell me Betty is staying put on Fridays for now. The most likely candidate to inherit Eastwick’s Wednesdays at 10 p.m. timeslot early next year is Lost. Speaking of Betty, is it just me or is the show kind of on fire right now? Every episode this season has been a winner. I’m even staying awake during the Daniel scenes!


Question: Ugly Betty seems to be fighting hard to win back viewers and fans this season. These episodes are way stronger than anything in season three. Got scoop? "J
Ausiello:
Is there an echo in here? I better check the acoustics. In the meantime, look for Matt Newton (Becki Newton’s real-life bro) to debut in the upcoming Bahamas episode as Mark’s new boyfriend. But that’s old news. Here’s some new news: His stint has been expanded. He’ll now appear in roughly four episodes. Additionally, Nadia Dajani (Emily’s Reasons Why Not) has been cast as Mode’s new creative director for a couple episodes. Cal Hartley imports her from the movie business to try to makeover the magazine.


Question: Any details on what brings Zatanna back to Smallville? "Jeffrey
Ausiello:
I hear she’s going to stir up some love-triangle drama between Lois and Clark. The episode’s called “Warrior” and, as I scooped in the latest episode of Ausiello TV, it’s the one set at San Diego Comic-Con Metropolis Wonder-Con. In other Smallville news, Tom Welling’s practically naked " and he’s making out with Lois!


Question: Any hints about the new love interest for Chloe on Smallville? "Sandra
Ausiello:
She meets him at San Diego Comic-Con Metropolis Wonder-Con.



Question: What’s this about Connie Britton being involved in a scandalous storyline on Friday Night Lights? Details, please! At the very least an asterisk quiz! "Karl
Ausiello:
I hear it involves a student and a possible *******n.


That’s a wrap! Please submit questions/comments/anonymous tips to ausielloscoop@.... Thanks for playing (Additional reporting by Keith Staskiewicz and Andy Patrick)






#4058 From: "jup2_com" <jup2_com@...>
Date: Thu Nov 12, 2009 2:09 pm
Subject: Exclusive: 'Smallville' TV movie takes flight!
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Nov 11 2009

Exclusive: 'Smallville' TV movie takes flight!


Categories: News, Smallville

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PHOTO CREDIT: Michael Courtney/The CW


I’ve got some big news for all my Super friends out there.

I’m hearing The CW has decided to package Smallville’s upcoming (and highly-anticipated) Justice Society-themed two-parter into a two-hour movie event airing on Jan. 29.

The Geoff Johns-penned episodes " titled “Society” and “Legends” and featuring such DC Comics stalwarts as Stargirl, Hawkman, and Dr. Fate " were originally designed to air separately. But, according to Smallville insiders, CW execs felt they could get more mileage out of combining them.

I tend do agree. Do you? Sound off in the comments!

Oh, and if you thought this scoop was super, just wait. There’s another (even bigger) Smallville-related treat coming your way later today.


More Smallville Scoop
Look who’s playing Agent Amanda Waller
Michael Rosenbaum returning?
Producers plotting Perry White’s return






#4057 From: "jup2_com" <jup2_com@...>
Date: Tue Nov 10, 2009 3:40 pm
Subject: 'Women In Trouble' - New Adrianne Poster!
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11/09/2009


'Women In Trouble' Is Kind Of In Trouble; Plus Some New Pics & A Poster...



BLOGGER_PHOTO_ID_5402237053184009762 

 Click the poster for LARGER version!  =D>

We didn't particularly care for Sebastian Gutierrez's "Women In Trouble,"so why are we posting images from the movie, particularly one with manyhalf-dressed, rather attractive actresses? Hit-bait (cause you know weget trillions of repeat users)? Maybe more to get a sorta-review out ofthe way? Basically.

Because we're not sure we have a full-blownreview in us. Done on the cheap, "Women In Trouble," is essentially afilm made by friends (Gutierrez is Carla Gugino's boyfriend) with lots of favors put out to famous actors like Josh Brolin, Marley Shelton, Connie Britton, Emmanuelle Chriqui, Simon Baker and Joseph Gordon-Levitt (though he did not appear in the final version we saw) to put in an appearance for a day or two of filming for next to nothing (ok, nothing).

And while we endorse that DIYmentality and just banging it out " pardon the expression, there's alot of porn star characters in the movie " it's essentially a prettycampy and silly sitcom-styled dramedy about several women facing difficulties that are all interconnected. All it needs for some scenes is a laugh track, really.

Though we will say that the Marley Shelton, Josh Brolin airplane sequence is kind of amusing (though Brolincan't do a English accent for shit) and that the ending is sincere andsurprisingly heartfelt (especially compared to what lead up to it).Yet, at the same time, it carries some Lifetime Movie, Oxygen-channeltones.

Adrianne Palicki,the featured woman on this poster, is either a real-life airhead orjust plays the role with complete conviction, so maybe there'ssomething to be said for that. Images and posters for the movie generally look great, really stylish, colorful,etc., but we can't really endorse the picture at all (a full-blownreview would probably be much more scathing, so let's just leave it asit is for now). Oh and Robyn Hitchcock did the score, but uhh, that can't really save it.


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